1
00:01:37,000 --> 00:01:40,800
*-Welcome to the mysterious and
fascinating world

2
00:01:41,120 --> 00:01:43,920
*of Jean Auguste Dominique Ingres.

3
00:01:44,240 --> 00:01:47,040
*He's the one who painted it.

4
00:01:48,000 --> 00:01:50,400
*If you want to discover

5
00:01:50,720 --> 00:01:54,560
*one of the finest plots
in the history of art,

6
00:01:54,880 --> 00:01:56,720
*enter the game.

7
00:02:14,200 --> 00:02:16,080
- How are you, Christian?

8
00:02:16,400 --> 00:02:20,960
I've just seen Julie's project here.
Did she finish it?

9
00:02:21,280 --> 00:02:24,919
- She must have spent the night.
Her stuff is here.

10
00:02:25,240 --> 00:02:26,720
Ask her.

11
00:02:27,040 --> 00:02:28,639
Do you want a coffee?

12
00:02:32,000 --> 00:02:34,400
Don't answer me, please!

13
00:02:46,919 --> 00:02:49,160
- Christian! Christian! Christian! Christian!

14
00:02:52,600 --> 00:03:14,320
...

15
00:03:15,760 --> 00:03:20,160
- You always contradict me.
- But you're always exaggerating!

16
00:03:20,480 --> 00:03:25,080
She came to take notes
for her book, that's all.

17
00:03:25,400 --> 00:03:29,480
- Frankly, she takes a lot of space.

18
00:03:29,800 --> 00:03:32,360
Listen, the minister's wife adores her.

19
00:03:32,680 --> 00:03:34,680
- Look there! She hasn't written anything yet

20
00:03:35,000 --> 00:03:37,520
and she's already promoting herself!

21
00:03:37,840 --> 00:03:40,760
- See?
You're making a fuss.

22
00:03:41,080 --> 00:03:42,440
- In your book,

23
00:03:42,760 --> 00:03:46,600
where do you draw the line
between fiction and reality?

24
00:03:46,920 --> 00:03:48,120
- Ah!

25
00:03:48,440 --> 00:03:52,760
It's a question that always
fascinates the journalists!

26
00:03:53,080 --> 00:03:55,840
No, but seriously, I want to offer my readers

27
00:03:56,160 --> 00:04:00,360
immersion into an investigation,
and Alexander -

28
00:04:00,680 --> 00:04:04,680
Commander Pardo -
gave me a very friendly welcome.

29
00:04:05,000 --> 00:04:06,320
Madame Richter

30
00:04:06,640 --> 00:04:08,160
will follow your investigators?

31
00:04:08,480 --> 00:04:09,680
- That's right.

32
00:04:10,000 --> 00:04:13,800
- So... We're in the process
of discussing modalities

33
00:04:14,120 --> 00:04:17,520
about Mme. Richter's participation,

34
00:04:17,839 --> 00:04:22,040
but we're truly very honored...
Sorry, I have to take this.

35
00:04:22,360 --> 00:04:24,760
Yes, Madam Prosecutor,

36
00:04:25,080 --> 00:04:26,160
a moment.

37
00:04:27,200 --> 00:04:28,200
(I'll be right there.)

38
00:04:28,520 --> 00:04:30,520
Yes, I'm listening.

39
00:04:30,839 --> 00:04:31,839
All right.

40
00:04:32,160 --> 00:04:36,160
- Good afternoon, gentlemen. Nobody home
at the reception? What are these for?

41
00:04:36,480 --> 00:04:38,560
- Patricia Richter, is she here?

42
00:04:38,880 --> 00:04:41,560
- No, it's not for here.
- Stop.

43
00:04:41,880 --> 00:04:45,279
- Tell us more of this investigation.
What's it about?

44
00:04:45,600 --> 00:04:48,200
- All I can say is

45
00:04:48,520 --> 00:04:50,400
that the Louvre Museum

46
00:04:50,720 --> 00:04:53,400
will be one of my characters.

47
00:04:53,720 --> 00:04:57,720
As for the hero, I already know him.

48
00:05:01,800 --> 00:05:04,560
- Ah yes...
- What is it?

49
00:05:04,880 --> 00:05:09,080
"The Mystery of the Louvre"
What the hell is this thing?

50
00:05:09,400 --> 00:05:14,400
"Anthony Bellone." I've never seen
such a cheesy character name.

51
00:05:18,200 --> 00:05:20,400
Captain. Come and see.

52
00:05:20,720 --> 00:05:21,920
- Huh?

53
00:05:22,240 --> 00:05:24,920
- That's you!
- Oh fuck!

54
00:05:25,240 --> 00:05:26,680
Yeah, that's me.

55
00:05:27,000 --> 00:05:31,040
- It's your head, that's all.
- Yes, I know, it's me.

56
00:05:31,360 --> 00:05:36,040
- Are you Anthony Bellone?
- She wanted to draw inspiration from me,

57
00:05:36,360 --> 00:05:38,160
and I said yes.

58
00:05:38,480 --> 00:05:41,080
She was inspired by me to write... uh...

59
00:05:41,400 --> 00:05:42,880
- Did you know about this?

60
00:05:43,200 --> 00:05:44,800
- Well, yes.
Oh no!

61
00:05:45,120 --> 00:05:46,160
- It looks like a superhero.

62
00:05:46,480 --> 00:05:48,920
- Is that you?
- Yes, it's me.

63
00:05:49,240 --> 00:05:51,680
Exceptional!
- Stylish, eh?

64
00:05:52,000 --> 00:05:53,800
- They exaggerated a bit

65
00:05:54,120 --> 00:05:55,240
on the pecs.

66
00:05:55,560 --> 00:05:58,360
- What? No!
- Well, yes.

67
00:05:58,680 --> 00:06:03,560
- Excuse me, but do you know
what's in the book?

68
00:06:03,880 --> 00:06:07,360
- We don't care, Madame Chassagne.
It's a novel.

69
00:06:07,680 --> 00:06:09,120
Who cares?

70
00:06:09,440 --> 00:06:12,720
- Homicide at a virtual reality
gaming company.

71
00:06:13,040 --> 00:06:16,240
- And what does this have to do with OCBC?

72
00:06:16,560 --> 00:06:20,360
- The victim was working on
a project in the art world.

73
00:06:20,680 --> 00:06:21,880
- OK.
- That's it.

74
00:06:23,120 --> 00:06:24,120
- Did you see that?

75
00:06:24,440 --> 00:06:26,480
- No, it's not. Oh yes, great!

76
00:06:26,800 --> 00:06:27,760
- Stylish, eh?

77
00:06:28,080 --> 00:06:29,279
- Ah yes!

78
00:06:29,600 --> 00:06:31,760
Do you like it?
- Yes. It's good!

79
00:06:32,080 --> 00:06:33,720
- Right, then. Shall we?

80
00:06:34,040 --> 00:06:36,480
- Where?
- He's leaving on an investigation.

81
00:06:36,800 --> 00:06:40,200
- I'll come with you.
Can you take

82
00:06:40,520 --> 00:06:42,480
your microphone?
Seriously?

83
00:06:42,800 --> 00:06:44,000
- Just once.

84
00:06:44,320 --> 00:06:45,920
- I'll get my bag.
- Of course. Of course.

85
00:06:46,240 --> 00:06:48,080
Siren.

86
00:06:48,400 --> 00:06:51,400
...

87
00:06:51,720 --> 00:06:53,920
- How long will this last?

88
00:06:54,240 --> 00:06:56,240
- Just a month or two.

89
00:06:56,560 --> 00:07:00,760
- No, no Captain! She just had to take
notes, but not in the field!

90
00:07:01,080 --> 00:07:05,880
With her contacts, in 8 days,
she'll be running the OCBC. You'll see!

91
00:07:07,200 --> 00:07:12,000
- Well, shall we? Let's go.
Don't let a crime scene get cold!

92
00:07:12,320 --> 00:07:14,920
- I love her. She's on fire!
She's on fire!

93
00:07:15,240 --> 00:07:18,240
- Does the "let's go" include us?

94
00:07:18,560 --> 00:07:19,880
- Uh...yes, I think so.

95
00:07:20,200 --> 00:07:23,000
Mme. Richter! Madame Richter!

96
00:07:23,320 --> 00:07:27,720
The procedure requires that you
wait outside for the moment.

97
00:07:28,040 --> 00:07:29,720
- Absolutely.
- Ah, alright.

98
00:07:30,040 --> 00:07:32,440
- We'll come and get you.

99
00:07:34,840 --> 00:07:53,640
...

100
00:07:53,960 --> 00:07:58,160
- I hired Julie as an
artistic director four years ago.

101
00:07:58,480 --> 00:08:02,440
- Alright, then. What time did she
usually arrive at work?

102
00:08:02,760 --> 00:08:04,960
- Any time.

103
00:08:05,280 --> 00:08:09,960
She was very committed and working
like crazy on this project.

104
00:08:10,280 --> 00:08:14,280
- This game dedicated to Ingres was your idea?

105
00:08:14,600 --> 00:08:17,800
- No. It was an order
from the French Ministry of Culture,

106
00:08:18,120 --> 00:08:20,560
but Julie chose the painter.

107
00:08:20,880 --> 00:08:23,760
She was fascinated by his world.

108
00:08:24,080 --> 00:08:25,760
Sorry, but six months.

109
00:08:26,080 --> 00:08:28,800
after the tender, only Julie

110
00:08:29,120 --> 00:08:30,280
knew what was

111
00:08:30,600 --> 00:08:32,240
contained in the game?

112
00:08:32,559 --> 00:08:35,360
- She was a little paranoid.

113
00:08:35,679 --> 00:08:39,360
Only she had
a global vision.

114
00:08:41,120 --> 00:08:44,800
- Captain, she's taking pictures.

115
00:08:45,120 --> 00:08:46,480
Well, smile.
OK.

116
00:08:49,160 --> 00:08:52,160
She had relations? Friends?

117
00:08:52,480 --> 00:08:55,720
- I honestly can't answer that.

118
00:08:56,040 --> 00:08:59,440
She didn't say much about that either.

119
00:08:59,760 --> 00:09:01,520
For Julie, it was only the job

120
00:09:01,840 --> 00:09:04,800
that seemed to matter to her.

121
00:09:05,120 --> 00:09:05,960
Captain!

122
00:09:06,280 --> 00:09:08,120
I found something.

123
00:09:08,440 --> 00:09:10,840
- OK. Excuse me.

124
00:09:13,800 --> 00:09:17,640
- The camera at the entrance
was disconnected at 23:02.

125
00:09:17,960 --> 00:09:20,920
- And the game was launched immediately afterwards.

126
00:09:21,240 --> 00:09:22,880
- Are you sure?

127
00:09:23,200 --> 00:09:27,559
- Yes. Between 11.10pm and 11.38pm. From here,
we control access to the VR room,

128
00:09:27,880 --> 00:09:29,600
the virtual games room.

129
00:09:29,920 --> 00:09:31,240
- And do you know who played?

130
00:09:31,559 --> 00:09:34,040
No sorry. Someone who had the codes

131
00:09:34,360 --> 00:09:37,080
from Julie's computer.

132
00:09:37,400 --> 00:09:40,880
- And who has them?
There's me, and some IT guys

133
00:09:41,200 --> 00:09:43,559
she's brought in, perhaps.

134
00:09:43,880 --> 00:09:48,679
- According to her car's GPS,
she arrived at 11:55pm.

135
00:09:49,000 --> 00:09:52,120
She must have received an alert.

136
00:09:52,440 --> 00:09:55,080
on her phone when they broke into her computer.

137
00:09:55,400 --> 00:09:59,640
- Time of death?
- Between 0h and 1h.

138
00:09:59,960 --> 00:10:00,880
Crushed cranium.

139
00:10:01,200 --> 00:10:05,440
The killer must have used a
statuette that was on her desk.

140
00:10:05,760 --> 00:10:08,360
What about the shoe print?

141
00:10:08,679 --> 00:10:12,880
- Partial, and given the brand,
it could be anyone.

142
00:10:13,200 --> 00:10:14,760
- Fuck, Wait! There!

143
00:10:15,080 --> 00:10:19,440
Safety systems were activated
at 11:40pm, just after the end of the game.

144
00:10:19,760 --> 00:10:23,960
- What does it mean?
- He wanted to erase a part

145
00:10:24,280 --> 00:10:25,040
of the game.

146
00:10:26,360 --> 00:10:27,360
Ah...

147
00:10:28,640 --> 00:10:30,640
Now that's interesting.

148
00:10:31,760 --> 00:10:34,720
So someone broke in here

149
00:10:35,040 --> 00:10:36,880
to play this game.

150
00:10:37,200 --> 00:10:40,000
He tried to erase part of it,

151
00:10:40,320 --> 00:10:43,160
Julie interrupted him
and he killed her.

152
00:10:43,480 --> 00:10:45,720
- Yes, it's possible.

153
00:10:46,040 --> 00:10:48,120
- The Game of Death.

154
00:10:48,440 --> 00:10:51,360
- I beg your pardon?
- That's my new title.

155
00:10:51,679 --> 00:10:56,960
"The game that kills all who play it."
This is going to be insane.

156
00:10:57,280 --> 00:11:00,280
Do we know what he wanted to erase?

157
00:11:00,600 --> 00:11:01,840
- Ah, no. That's impossible.

158
00:11:02,160 --> 00:11:06,960
- We absolutely must know.
The game is at the heart of the story.

159
00:11:07,280 --> 00:11:09,880
It has its own personality.

160
00:11:10,200 --> 00:11:11,400
- Ah yes...

161
00:11:11,720 --> 00:11:13,679
- From what I've seen,

162
00:11:14,000 --> 00:11:17,480
there's mystery, lust, and sex.

163
00:11:17,800 --> 00:11:19,040
Ah, no.

164
00:11:19,360 --> 00:11:22,360
Sex in an Ingres painting, no.

165
00:11:22,679 --> 00:11:25,400
Eroticism, yes, but sex,

166
00:11:25,720 --> 00:11:28,040
no.
Whatever.

167
00:11:28,360 --> 00:11:30,760
We asked to see the game, so

168
00:11:31,080 --> 00:11:35,600
we'll see if anything helps us
understand the motive behind the murder.

169
00:11:35,920 --> 00:11:38,760
- That's just great. Come on, let's go.

170
00:11:39,080 --> 00:11:41,600
- Do you just let that happen?
- No.

171
00:11:41,920 --> 00:11:44,880
Madame Richter!
Isn't it this way?

172
00:11:48,600 --> 00:11:50,679
If I hadn't said anything,

173
00:11:51,000 --> 00:11:53,400
you would have let her play.

174
00:11:53,720 --> 00:11:56,040
- Nonsense, Mme. Chassagne.

175
00:11:56,360 --> 00:12:01,160
- Why do you think she
uses you as a model, eh?

176
00:12:01,480 --> 00:12:05,120
Let me tell you:
because it manipulates you.

177
00:12:05,440 --> 00:12:09,840
- Nonsense, Mme. Chassagne!
That's exaggerating! "Manipulate!"

178
00:12:10,160 --> 00:12:12,880
Are you afraid of something?

179
00:12:13,200 --> 00:12:15,200
- I'm afraid...

180
00:12:15,520 --> 00:12:17,600
that it damages us.

181
00:12:17,920 --> 00:12:20,520
- What "we" are you talking about?

182
00:12:20,840 --> 00:12:22,440
I don't get it.

183
00:12:22,760 --> 00:12:25,640
You don't want us to be together,

184
00:12:25,960 --> 00:12:27,800
there is no "we".

185
00:12:28,120 --> 00:12:31,120
I'd like there to be a "we",

186
00:12:31,440 --> 00:12:33,480
but there isn't any!

187
00:12:33,800 --> 00:12:36,720
- I scanned your faces
and programmed

188
00:12:37,040 --> 00:12:38,400
your avatars.

189
00:12:38,720 --> 00:12:40,080
- OK. Great.

190
00:12:40,400 --> 00:12:43,600
- Red light comes on when you get too close

191
00:12:43,920 --> 00:12:46,880
to a wall. Your gloves
act as joysticks.

192
00:12:47,200 --> 00:12:50,679
You just follow the instructions.

193
00:12:51,000 --> 00:12:54,000
- It starts when you put on your glasses?

194
00:12:54,320 --> 00:12:56,080
That's it.
OK.

195
00:12:56,400 --> 00:12:58,080
- I skipped the intro.

196
00:12:58,400 --> 00:12:59,520
- That works. Thanks.

197
00:13:03,240 --> 00:13:04,520
- Are you ready?

198
00:13:10,000 --> 00:13:12,800
*-Welcome to the mysterious
and fascinating world

199
00:13:13,120 --> 00:13:15,920
*of Jean Auguste Dominique Ingres.

200
00:13:16,240 --> 00:13:19,040
*He's the one who painted it.

201
00:13:19,360 --> 00:13:23,760
*Some of these women have crossed
the life of their creator.

202
00:13:27,200 --> 00:13:31,640
- Please help me.
They're going to capture me! Please help me!

203
00:13:32,640 --> 00:13:35,720
- We're in the harem
of the "Turkish Bath"!

204
00:13:36,040 --> 00:13:38,040
Oh, I have a ring!

205
00:13:38,360 --> 00:13:41,080
Captain, you're a eunuch!

206
00:13:41,400 --> 00:13:42,840
Have you seen yourself?

207
00:13:43,160 --> 00:13:44,960
You're a kind of...

208
00:13:45,280 --> 00:13:48,160
*-Why has this one
disappeared?

209
00:13:48,480 --> 00:13:50,480
*Where is she?

210
00:13:50,800 --> 00:13:53,800
*Get on the trail
of this disappearance

211
00:13:54,120 --> 00:13:58,120
*and discover one of the most beautiful
art history puzzles,

212
00:13:58,440 --> 00:14:02,240
*as well as the life and work
of this great French painter.

213
00:14:02,559 --> 00:14:04,760
*To enter the game, please press "Continue".

214
00:14:05,080 --> 00:14:06,800
Go ahead, press it.

215
00:14:20,080 --> 00:14:24,080
*-Let's start with the first riddle:
"The woman who disappeared."

216
00:14:26,080 --> 00:14:27,440
- Who is it?

217
00:14:27,760 --> 00:14:31,440
Madame de Lauréal,
the cousin of Ingres' wife.

218
00:14:31,760 --> 00:14:33,600
"The Turkish Bath" is

219
00:14:33,920 --> 00:14:39,000
his last painting.
It contains all his memories. It was like

220
00:14:39,320 --> 00:14:41,040
a will.

221
00:14:41,360 --> 00:14:42,840
- And she disappeared?

222
00:14:43,160 --> 00:14:45,720
- I don't know about that.

223
00:14:53,200 --> 00:14:54,680
And who's she?

224
00:14:55,000 --> 00:15:00,000
His wife, Madeleine Chapelle.
She died ten years before he painted.

225
00:15:00,320 --> 00:15:03,720
this painting. He was inspired by
old drawings.

226
00:15:04,040 --> 00:15:07,240
Why has this woman
been kidnapped?

227
00:15:07,560 --> 00:15:11,760
Here's a first clue: in 1813,
Ingres paints one of the most famous women

228
00:15:12,080 --> 00:15:15,480
of the Italian Renaissance.

229
00:15:15,800 --> 00:15:16,800
Who is it?

230
00:15:17,120 --> 00:15:20,560
The killer wanted to erase
a riddle?

231
00:15:20,880 --> 00:15:22,080
- I don't know,

232
00:15:22,400 --> 00:15:26,280
but I know that the answer
is Francesca, who was murdered.

233
00:15:26,600 --> 00:15:28,600
- What?
Her lover, Paolo,

234
00:15:28,920 --> 00:15:34,160
was the husband's brother
of Francesca, the husband who killed her.

235
00:15:35,560 --> 00:15:36,880
Go ahead,

236
00:15:37,200 --> 00:15:38,440
continue.

237
00:15:41,000 --> 00:15:45,200
- Bravo. This is a painting
of adulterous and tragic love.

238
00:15:45,520 --> 00:15:48,960
Did the missing woman meet
the same fate as Francesca?

239
00:15:49,280 --> 00:15:53,360
In 1813, Ingres met a woman
who looks a lot like her,

240
00:15:53,680 --> 00:15:56,960
my cousin, whom he courts
even though she's married.

241
00:15:57,280 --> 00:15:58,520
Did she commit

242
00:15:58,840 --> 00:16:01,000
adultery with him? Yes or no?
- Well, no, because

243
00:16:01,320 --> 00:16:02,880
he married you.

244
00:16:05,000 --> 00:16:08,200
- Congratulations again.
It's even thanks to my cousin

245
00:16:08,520 --> 00:16:12,320
I met Ingres
and we got married.

246
00:16:12,640 --> 00:16:15,600
Nothing indicates
that he was unfaithful to me.

247
00:16:19,600 --> 00:16:22,600
Not everyone can say the same.

248
00:16:22,920 --> 00:16:25,840
Mr. Garnier shamelessly leads a double life

249
00:16:27,720 --> 00:16:30,800
- Who is this Garnier?
A friend of the painter's?

250
00:16:31,120 --> 00:16:33,720
- Doesn't ring a bell.

251
00:16:34,720 --> 00:16:36,680
Wait, Garnier...

252
00:16:37,000 --> 00:16:39,840
- He's Julie Delmas' boss.

253
00:16:40,160 --> 00:16:44,960
Listen, Mr. Garnier. Your wife,
your children, your teachers,.

254
00:16:45,280 --> 00:16:46,920
I don't care.

255
00:16:47,240 --> 00:16:48,960
Well, I'm just saying...

256
00:16:49,280 --> 00:16:53,880
when it becomes a motive for murder,
I'm interested.

257
00:16:54,200 --> 00:16:56,200
- I didn't kill Julie.

258
00:16:59,000 --> 00:17:00,800
I didn't kill her.

259
00:17:01,120 --> 00:17:02,520
Hmm. Okay.

260
00:17:06,760 --> 00:17:10,560
Why did she incorporate
your infidelities into her game?

261
00:17:12,000 --> 00:17:13,400
- For revenge,

262
00:17:13,720 --> 00:17:17,240
for my wife to see,
to blow up my family.

263
00:17:17,560 --> 00:17:19,480
- Revenge for what?

264
00:17:22,600 --> 00:17:23,960
- One month ago

265
00:17:24,280 --> 00:17:27,280
we lost co-financing from the region.

266
00:17:27,600 --> 00:17:30,720
So I asked Julie to reduce the cost and

267
00:17:31,040 --> 00:17:32,560
shorten the game.

268
00:17:32,880 --> 00:17:36,240
- OK. So what?
- She went to speak with the banks.

269
00:17:36,560 --> 00:17:40,560
She said I had
enough money to finance everything.

270
00:17:40,880 --> 00:17:43,160
She was furious.

271
00:17:43,480 --> 00:17:46,800
I managed to calm her down,
telling her

272
00:17:47,119 --> 00:17:50,119
that if this version of the game
worked,

273
00:17:50,440 --> 00:17:54,040
we could consider making a longer version.

274
00:17:55,040 --> 00:17:57,640
I thought it was settled.

275
00:17:57,960 --> 00:18:00,400
- Except it wasn't, apparently.

276
00:18:03,040 --> 00:18:05,040
- Yesterday,

277
00:18:05,359 --> 00:18:08,359
I received a call from an actress

278
00:18:08,680 --> 00:18:12,080
who recorded
one of the voices for the game

279
00:18:12,400 --> 00:18:15,800
and who warned me that Julie
had asked her

280
00:18:16,119 --> 00:18:20,080
to add a personal passage
about me and about...

281
00:18:20,400 --> 00:18:21,960
- Your infidelities?

282
00:18:25,200 --> 00:18:28,000
- Maybe, I don't know. Yeah.

283
00:18:28,320 --> 00:18:29,640
OK.

284
00:18:29,960 --> 00:18:34,359
So you went to your office,
turned off the security cameras,

285
00:18:34,680 --> 00:18:37,200
and you saw it was true.

286
00:18:38,400 --> 00:18:41,280
So you try to delete

287
00:18:41,600 --> 00:18:45,640
everything you've seen,
except that Madame Delmas arrives.

288
00:18:45,960 --> 00:18:49,760
- I was already gone
when she arrived!

289
00:18:50,080 --> 00:18:52,720
- Except you have nothing to prove it.

290
00:18:53,040 --> 00:18:57,240
No cell phone, no GPS
on your car, nothing.

291
00:18:57,560 --> 00:18:58,880
So, well...

292
00:18:59,200 --> 00:19:01,600
There's a knock on the door.

293
00:19:01,920 --> 00:19:05,880
- What do you think? Is it interesting?
Does it give you ideas?

294
00:19:06,200 --> 00:19:09,240
*-Did she want revenge?

295
00:19:11,400 --> 00:19:15,560
- It's a bit cliché. You're
better to exploit the game's story.

296
00:19:15,880 --> 00:19:18,480
- Oh! I agree with you.

297
00:19:18,800 --> 00:19:22,000
"The Game of Death",
it makes me love it so much.

298
00:19:22,320 --> 00:19:24,359
- Could you help me?

299
00:19:24,680 --> 00:19:27,400
- Of course! Anything you want.
- I wrote

300
00:19:27,720 --> 00:19:29,840
the beginning of a plot.

301
00:19:30,160 --> 00:19:32,520
Would you mind

302
00:19:32,840 --> 00:19:34,640
taking a look?

303
00:19:34,960 --> 00:19:37,680
- It's an honor, Mme. Richter!

304
00:19:38,000 --> 00:19:40,520
Thank you! With pleasure!

305
00:19:40,840 --> 00:19:44,040
Except I don't know
much about writing.

306
00:19:44,359 --> 00:19:47,920
I wouldn't know what to say.
- I want to avoid

307
00:19:48,240 --> 00:19:51,640
making mistakes when
talking about your police business:

308
00:19:51,960 --> 00:19:54,840
grades,
technical terms...

309
00:19:55,160 --> 00:19:57,119
- I know all about that!

310
00:19:57,440 --> 00:19:59,640
Too cool! I'm off!
- Thank you, Adèle.

311
00:20:01,440 --> 00:20:05,840
- OK, we didn't find the
right shoes at his place,

312
00:20:06,160 --> 00:20:09,760
but he wasn't going to
put them away in a cupboard!

313
00:20:10,080 --> 00:20:12,880
His wife doesn't recognize.
these shoes as his.

314
00:20:13,200 --> 00:20:16,080
- She doesn't even know
with whom he sleeps.

315
00:20:16,400 --> 00:20:17,880
- That's right.
- The prosector

316
00:20:18,200 --> 00:20:20,760
will say, "We're running out of cookie crumbs to follow."

317
00:20:21,080 --> 00:20:24,400
- This external hard drive
found at his home must have belonged

318
00:20:24,720 --> 00:20:26,440
to the victim.

319
00:20:26,760 --> 00:20:29,160
- What's on it?

320
00:20:29,480 --> 00:20:32,920
- Impossible to open. It's secured

321
00:20:33,240 --> 00:20:36,040
by a password and secret question.

322
00:20:36,359 --> 00:20:38,160
Look at the question.

323
00:20:38,480 --> 00:20:41,280
"What is the naked instrument

324
00:20:41,600 --> 00:20:42,520
"of my revenge?"

325
00:20:42,840 --> 00:20:44,920
- That seems to indicate it was Julie Delmas', right?

326
00:20:45,240 --> 00:20:49,920
- The mention of a nude isn't
necessarily a reference to Ingres.

327
00:20:50,240 --> 00:20:51,920
- Yes, but this morning,

328
00:20:52,240 --> 00:20:55,640
Garnier called
a certain Sarah Martin.

329
00:20:55,960 --> 00:20:59,000
- Sarah Martin?
- Yes, the art historian. You know her?

330
00:20:59,320 --> 00:21:03,320
- Yes, she's really a master
in the art world.

331
00:21:03,640 --> 00:21:06,560
She wrote books on Ingres.

332
00:21:06,880 --> 00:21:10,040
- I'm sure the disk drive belonged to Julie.

333
00:21:10,359 --> 00:21:12,720
Garnier called this Sarah Martin

334
00:21:13,040 --> 00:21:15,720
to decode the secret question.

335
00:21:16,040 --> 00:21:17,640
- What would the disk contain?

336
00:21:17,960 --> 00:21:19,960
- I don't know. Garnier must be thinking

337
00:21:20,280 --> 00:21:24,359
that Julie Delmas kept other
compromising stuff about him.

338
00:21:24,680 --> 00:21:28,840
- And it would provide cookie crumbs
for the prosecutor, of course.

339
00:21:30,400 --> 00:21:34,600
I didn't know Julie
was dead when he called me.

340
00:21:34,920 --> 00:21:36,720
He just asked me

341
00:21:37,040 --> 00:21:41,440
if this question had anything to do
with Ingres. I had no idea.

342
00:21:41,760 --> 00:21:44,760
- OK. How does he know you?

343
00:21:45,080 --> 00:21:47,600
- I helped Julie with her game.

344
00:21:47,920 --> 00:21:51,520
In a way it was me
who had given her the idea.

345
00:21:51,840 --> 00:21:53,240
- What do you mean by that?

346
00:21:56,600 --> 00:21:59,960
- We met through a mutual friend.

347
00:22:00,280 --> 00:22:02,760
One evening, at a dinner party,

348
00:22:03,080 --> 00:22:06,480
I spoke to Julie
of my work on Ingres.

349
00:22:06,800 --> 00:22:10,240
I saw her face light up.
It fascinated her.

350
00:22:10,560 --> 00:22:12,600
She was inspired.

351
00:22:12,920 --> 00:22:17,000
- Mme. Martin, we need
to access those files.

352
00:22:17,320 --> 00:22:21,320
Have you any idea what
the answer is to that question?

353
00:22:21,640 --> 00:22:22,840
- No, I'm sorry.

354
00:22:23,160 --> 00:22:27,240
"The naked instrument of my revenge",
doesn't make sense to me.

355
00:22:27,560 --> 00:22:31,359
- Ingres painted female nudes
out of personal taste,

356
00:22:31,680 --> 00:22:35,600
but above all because they were
standard in Rome.

357
00:22:35,920 --> 00:22:39,720
"The naked instrument of my revenge",
doesn't make sense.

358
00:22:40,040 --> 00:22:42,480
- And what revenge?

359
00:22:42,800 --> 00:22:46,200
- I don't see what it could be.

360
00:22:47,200 --> 00:22:51,000
- Couldn't it be something
like revenge porn?

361
00:22:51,320 --> 00:22:53,200
- Revenge porn?

362
00:22:53,520 --> 00:22:55,480
- Yes, your painter may have

363
00:22:55,800 --> 00:22:57,160
been dumped,

364
00:22:57,480 --> 00:23:01,080
and he displayed...
- No, there was no "revenge porn"

365
00:23:01,400 --> 00:23:04,200
with Ingres! Don't insist!

366
00:23:04,520 --> 00:23:06,320
"Revenge porn"...

367
00:23:06,640 --> 00:23:10,440
- Obviously, if something
comes to mind,

368
00:23:10,760 --> 00:23:13,359
you call us.
- Of course you can.

369
00:23:13,680 --> 00:23:14,880
Goodbye.

370
00:23:21,000 --> 00:23:24,600
- Are you okay, Adele?
What makes you laugh like that?

371
00:23:24,920 --> 00:23:26,320
- A report.

372
00:23:26,640 --> 00:23:29,040
- A report? May I see it?

373
00:23:29,359 --> 00:23:30,560
- No, because

374
00:23:30,880 --> 00:23:33,280
I really have to get going.

375
00:23:37,600 --> 00:23:39,119
- A report...

376
00:23:44,000 --> 00:23:45,680
- Yes, I took it

377
00:23:46,000 --> 00:23:49,680
from Julie's office
to find out what else she had

378
00:23:50,000 --> 00:23:53,640
to throw at me.
- But you don't know what.

379
00:23:53,960 --> 00:23:57,080
- Fuck, I wish I knew or
I wouldn't have tried to open it!

380
00:24:04,000 --> 00:24:05,200
*-I'll be right back.

381
00:24:07,600 --> 00:24:10,200
Stay with him, please.
Thanks.

382
00:24:12,600 --> 00:24:14,560
What does the prosecutor say?

383
00:24:14,880 --> 00:24:16,280
- She insists:

384
00:24:16,600 --> 00:24:20,560
no new serious clues, no indictment.

385
00:24:20,880 --> 00:24:23,520
- Fuck... Damn it!

386
00:24:23,840 --> 00:24:26,040
- What do we do?

387
00:24:26,359 --> 00:24:30,160
- Let him rot in a cell for a while.
He might talk.

388
00:24:31,600 --> 00:24:32,840
- And Florence?

389
00:24:36,600 --> 00:24:37,680
- Complicated.

390
00:24:38,000 --> 00:24:40,680
It's not that I'm thinking about her.

391
00:24:41,000 --> 00:24:44,200
I think it's difficult not to think

392
00:24:44,520 --> 00:24:48,400
of her, you know?
We're meant to be together.

393
00:24:48,720 --> 00:24:51,840
- I was talking about the investigation.
What's the status?

394
00:24:52,160 --> 00:24:52,960
- Ah.

395
00:24:53,280 --> 00:24:57,920
She'll keep us posted
as soon as she finds the code.

396
00:24:58,240 --> 00:24:59,800
- All right.

397
00:25:01,920 --> 00:25:03,440
But will you be alright?

398
00:25:03,760 --> 00:25:07,520
- Yes, I think so.
She's sure to find it.

399
00:25:07,840 --> 00:25:09,000
- But your relationship to Florence?

400
00:25:09,320 --> 00:25:13,800
I'm a little worried.
- What are you worried about?

401
00:25:14,119 --> 00:25:16,520
You won't have to worry.

402
00:25:16,840 --> 00:25:19,720
I have to tell you every slightest thing?

403
00:25:20,040 --> 00:25:23,040
I just want to stop
thinking about her.

404
00:25:23,359 --> 00:25:26,760
It's the investigation you're worried about.
- But it...

405
00:25:27,080 --> 00:25:29,960
- So don't worry. Really.

406
00:25:30,280 --> 00:25:32,600
You sound like my mother.

407
00:25:32,920 --> 00:25:34,119
- His mother?

408
00:25:40,200 --> 00:25:43,080
- "Naked instrument of my revenge"...

409
00:25:43,400 --> 00:25:45,640
"Instrument of my revenge".

410
00:25:45,960 --> 00:25:48,560
What is this revenge?

411
00:25:48,880 --> 00:25:52,280
You wouldn't have wanted
get back at her

412
00:25:52,600 --> 00:25:55,480
because she refused your advances?

413
00:25:55,800 --> 00:26:00,920
- Thanks to Mme. de Lauréal
I met the love of my life

414
00:26:01,240 --> 00:26:02,160
at last!

415
00:26:02,480 --> 00:26:05,080
- Yes, it's not very logical.

416
00:26:05,400 --> 00:26:07,320
Why focus

417
00:26:07,640 --> 00:26:11,440
on women?
I had a lot of enemies.

418
00:26:11,760 --> 00:26:13,720
Critics, for example.

419
00:26:16,000 --> 00:26:17,320
- That's right.

420
00:26:19,040 --> 00:26:22,040
It's true. You moved to Italy

421
00:26:22,359 --> 00:26:24,920
after winning the Prix de Rome.

422
00:26:25,240 --> 00:26:30,480
You think this is a glorious beginning
and then,

423
00:26:30,800 --> 00:26:33,000
there's the Salon of 1806,

424
00:26:33,320 --> 00:26:37,119
and you get massacred by the critics.

425
00:26:37,440 --> 00:26:41,040
Worse than that, in fact.
They humiliated you.

426
00:26:41,359 --> 00:26:46,600
They accused you of setting
art back four centuries.

427
00:26:46,920 --> 00:26:49,520
It's a good reason for revenge.

428
00:26:49,840 --> 00:26:54,160
- They understood nothing
of my work.

429
00:26:54,480 --> 00:26:57,080
- Yes, but it doesn't work.

430
00:26:57,400 --> 00:27:02,200
It doesn't work: you don't
represent these critics

431
00:27:02,520 --> 00:27:04,520
naked.

432
00:27:05,520 --> 00:27:49,520
...

433
00:27:50,520 --> 00:27:52,880
"La Baigneuse Valpinçon."

434
00:27:53,200 --> 00:27:58,359
You sent it to France after your humiliation.

435
00:27:58,680 --> 00:28:02,960
It was one of the paintings
you used to avenge your critics.

436
00:28:03,280 --> 00:28:06,440
So they'd make amends made to you,

437
00:28:06,760 --> 00:28:09,920
and to consecrate your talent.
Certainly.

438
00:28:10,240 --> 00:28:15,840
But it's not with this picture
that I wanted to reclaim Paris.

439
00:28:16,160 --> 00:28:19,560
-But it's one of your
most famous nudes,

440
00:28:19,880 --> 00:28:22,680
underlined by
the purity of the design.

441
00:28:23,000 --> 00:28:24,040
And poverty of

442
00:28:24,359 --> 00:28:26,080
color.

443
00:28:26,400 --> 00:28:28,320
But again, forget the women.

444
00:28:28,640 --> 00:28:31,440
Female nudes had no academic

445
00:28:31,760 --> 00:28:33,280
value.

446
00:28:34,600 --> 00:28:37,400
Not noble enough, it seems.

447
00:28:40,000 --> 00:28:41,400
- But, of course.

448
00:28:41,720 --> 00:28:43,720
But, of course!

449
00:28:49,400 --> 00:28:53,800
You had to face your master,
David, on his home turf:

450
00:28:54,120 --> 00:28:58,160
the <i>male</i> nude.
The only one accepted by the Academy.

451
00:28:58,480 --> 00:29:02,480
The female nude was
too erotic, too vulgar.

452
00:29:02,800 --> 00:29:06,480
"The nude instrument
of my revenge", that's it!

453
00:29:06,800 --> 00:29:09,720
"Oedipus confronts the Sphinx".

454
00:29:10,040 --> 00:29:12,360
- I didn't reach my goal.

455
00:29:12,680 --> 00:29:17,640
- To be accepted and recognized
by your peers? You're right.

456
00:29:17,960 --> 00:29:21,920
You've totally drawn
breasts on the Sphinx, pointing

457
00:29:22,240 --> 00:29:26,320
towards the sky. And you get the impression
that Oedipus will caress

458
00:29:26,640 --> 00:29:28,560
the tips of the nipples.

459
00:29:28,880 --> 00:29:33,440
A question of moral integrity.
It's not crazy crazy.

460
00:29:33,760 --> 00:29:38,360
Everyone thinks you're
an academic, classical painter.

461
00:29:38,680 --> 00:29:42,280
Not at all.
You're a very big provocateur.

462
00:29:45,200 --> 00:29:46,400
Listen to this:

463
00:29:46,720 --> 00:29:50,320
"While their affair
was developing in secret,

464
00:29:50,640 --> 00:29:53,040
"Chantal and Anthony..."

465
00:29:53,360 --> 00:29:55,360
They're laughing.

466
00:29:58,000 --> 00:29:59,600
- Am I disturbing you?

467
00:30:01,200 --> 00:30:04,000
Show it to me. It looks funny.

468
00:30:04,320 --> 00:30:05,920
- It's work. The Commander... uh....

469
00:30:06,240 --> 00:30:08,600
- Well, Madame Chassagne?
You need help with something?

470
00:30:08,920 --> 00:30:13,320
- What's with the red folder?
- I don't know. Are you okay?

471
00:30:13,640 --> 00:30:15,480
Ah, here's your daddy.

472
00:30:15,800 --> 00:30:17,800
- Commander!
- Good afternoon.

473
00:30:18,120 --> 00:30:19,480
- Yes!
Floflo...

474
00:30:20,840 --> 00:30:22,440
I've got the answer

475
00:30:22,760 --> 00:30:24,800
to your little secret question.

476
00:30:25,120 --> 00:30:27,560
Good news.
Is this a joke?

477
00:30:29,520 --> 00:30:33,720
How does he know?
- It's Mme. Richter.

478
00:30:34,040 --> 00:30:36,960
- I thought you weren't talking to her.

479
00:30:37,280 --> 00:30:40,880
- I made artistic recommendations for her next book.

480
00:30:41,200 --> 00:30:44,720
- What?!
But you couldn't stand each other!

481
00:30:45,040 --> 00:30:49,240
- Yes, but we had a little chat.
I was completely wrong about her.

482
00:30:49,560 --> 00:30:52,360
Anyone can change their mind.

483
00:30:52,680 --> 00:30:57,080
I'll be able to raise awareness
of art history.

484
00:30:57,400 --> 00:30:58,720
- Yes.
- Pierre!

485
00:30:59,040 --> 00:31:00,240
- "Pierre"?

486
00:31:00,560 --> 00:31:01,960
- Here, thank you.

487
00:31:02,280 --> 00:31:06,960
Madame Chassagne, your father
is in fact a wonderful man.

488
00:31:07,280 --> 00:31:09,360
Since Antoine told me

489
00:31:09,680 --> 00:31:14,080
you were in trouble,
I took the liberty of asking him.

490
00:31:14,400 --> 00:31:15,720
After all..,

491
00:31:16,040 --> 00:31:20,200
he's the best art historian
of the last 50 years.

492
00:31:20,520 --> 00:31:23,200
- Mme. Richter, you make me blush.

493
00:31:23,520 --> 00:31:24,520
So what?

494
00:31:24,840 --> 00:31:26,160
Did you find it?

495
00:31:26,480 --> 00:31:28,920
- Yes, it's...
- Oedipus.

496
00:31:32,000 --> 00:31:33,600
- Did you know that?

497
00:31:33,920 --> 00:31:35,960
You made a list of themes in

498
00:31:36,280 --> 00:31:38,880
Ingres' paintings too?
Wasn't it obvious?

499
00:31:39,200 --> 00:31:42,600
- It was obvious for me, yes.

500
00:31:42,920 --> 00:31:43,760
Super.

501
00:31:44,080 --> 00:31:48,240
Let's check it out right now
in my office. Please come in.

502
00:31:48,560 --> 00:31:49,960
You're welcome.

503
00:31:50,280 --> 00:31:51,760
- I'll take it back. Thanks.

504
00:31:54,200 --> 00:31:55,520
- Are you coming?

505
00:31:57,720 --> 00:31:59,760
- I enter the answer...

506
00:32:11,200 --> 00:32:12,320
- Oh fuck, it worked.

507
00:32:13,400 --> 00:32:14,760
- Well done, Pierre.

508
00:32:15,080 --> 00:32:17,040
- You're welcome, Mme. Richter.

509
00:32:18,760 --> 00:32:20,000
There's just

510
00:32:20,320 --> 00:32:22,720
a video. Click on it.

511
00:32:25,720 --> 00:32:27,160
- Is that the game?

512
00:32:27,480 --> 00:32:29,560
No, it's the decor

513
00:32:29,880 --> 00:32:31,040
of the game.

514
00:32:34,320 --> 00:32:36,560
- But it's Julie Delmas.

515
00:32:41,200 --> 00:32:43,200
Ah... Who is that?

516
00:32:45,480 --> 00:32:47,440
- It's Sarah Martin.

517
00:32:47,760 --> 00:32:49,760
That's the art historian.

518
00:32:54,760 --> 00:32:55,960
What are they doing?

519
00:33:00,720 --> 00:33:02,240
- Seems clear to me.

520
00:33:03,240 --> 00:33:04,400
Mystery,

521
00:33:04,720 --> 00:33:09,280
lust, sex...
I'm beginning to like this story.

522
00:33:24,600 --> 00:33:26,600
The clock tower bell rings.

523
00:33:27,600 --> 00:33:53,400
...

524
00:33:53,720 --> 00:33:56,120
- Yes, I helped Julie at the beginning.

525
00:33:56,440 --> 00:33:59,760
She needed to learn about Ingres,

526
00:34:00,080 --> 00:34:02,480
and it brought us closer together.

527
00:34:03,480 --> 00:34:04,800
- Closer together, yes...?

528
00:34:05,120 --> 00:34:10,120
- She was beautiful, intelligent.
She liked me. You know what I mean?

529
00:34:13,840 --> 00:34:15,400
And why

530
00:34:15,719 --> 00:34:17,239
did you hide it from us?

531
00:34:17,560 --> 00:34:19,520
- It's my private life.

532
00:34:19,840 --> 00:34:22,000
And then it was over

533
00:34:22,320 --> 00:34:26,440
between us.
- There was still a murder.

534
00:34:26,760 --> 00:34:29,840
In your email exchanges,

535
00:34:30,160 --> 00:34:31,760
you call her...

536
00:34:32,080 --> 00:34:33,480
- "My pearl".

537
00:34:33,800 --> 00:34:37,680
You know as well as I do that in Latin,
She's called "Margarita".

538
00:34:38,000 --> 00:34:40,960
Like the first name of "La Fornarina",

539
00:34:41,280 --> 00:34:44,120
by Raphaël.

540
00:34:44,440 --> 00:34:47,360
And you also know

541
00:34:47,680 --> 00:34:51,320
that "La Fornarina" fascinated Ingres.

542
00:34:51,640 --> 00:34:53,400
For him, she was...

543
00:34:53,719 --> 00:34:56,200
How can I put this?

544
00:34:56,520 --> 00:35:00,200
She was the symbol of seduction.
- Seduction, yes.

545
00:35:00,520 --> 00:35:02,480
- Absolutely.

546
00:35:02,800 --> 00:35:05,239
- It was a game between us.

547
00:35:05,560 --> 00:35:07,560
It amused her greatly.

548
00:35:07,880 --> 00:35:11,840
Sorry, but in an email,
which is less than a week old,

549
00:35:12,160 --> 00:35:15,480
you still call her "my pearl".

550
00:35:17,200 --> 00:35:21,719
- I had a little more trouble mourning our history
than she did.

551
00:35:38,760 --> 00:35:42,239
This is Olga, my wife.

552
00:35:46,000 --> 00:35:49,000
- Come to think of it, this pearl story

553
00:35:49,320 --> 00:35:52,120
also speaks of the triangular relationship

554
00:35:52,440 --> 00:35:55,480
between La Fornarina, Raphaël and his fiancée.

555
00:36:05,040 --> 00:36:09,480
- Julie asked you to play
in her game, and you agreed.

556
00:36:12,000 --> 00:36:16,000
- I've known Julie for seven years.
I'm an actress,

557
00:36:16,320 --> 00:36:20,160
so of course I accepted
to participate in the game.

558
00:36:23,800 --> 00:36:25,719
- It's still twisted.

559
00:36:26,040 --> 00:36:29,040
She offers you to play Ingres' wife

560
00:36:29,360 --> 00:36:31,440
while they're having an affair.

561
00:36:31,760 --> 00:36:33,680
- Listen, Olga knew nothing.

562
00:36:34,000 --> 00:36:36,200
I'm so sorry.
- Stop.

563
00:36:37,600 --> 00:36:38,800
It's fine.

564
00:36:40,680 --> 00:36:43,000
You can sleep with little girls

565
00:36:43,320 --> 00:36:45,719
to feel younger.

566
00:36:46,040 --> 00:36:47,040
- Stop.

567
00:36:50,000 --> 00:36:53,400
- Except that it's me
who introduced you to Julie.

568
00:36:59,520 --> 00:37:04,280
- Mme. Horovitz,
where were you on the night of the 12th?

569
00:37:07,400 --> 00:37:11,880
- I was out of town for
my work. I came home late.

570
00:37:12,200 --> 00:37:14,200
- What time?

571
00:37:14,520 --> 00:37:16,719
- Three o'clock in the morning.

572
00:37:18,200 --> 00:37:19,600
- Can you confirm this?

573
00:37:19,920 --> 00:37:20,920
- Yes.

574
00:37:22,480 --> 00:37:25,920
- But it doesn't tell me
what you were doing before that.

575
00:37:26,239 --> 00:37:28,800
- Captain, this is crazy.

576
00:37:29,120 --> 00:37:32,320
Do you really believe Olga
capable of killing someone?

577
00:37:35,400 --> 00:37:36,760
- I don't know.

578
00:37:39,400 --> 00:37:42,920
In fact, it doesn't seem to be going
well with your companion.

579
00:37:44,920 --> 00:37:47,520
I say that because...

580
00:37:48,800 --> 00:37:52,600
We found this video. This.

581
00:37:56,120 --> 00:37:58,239
This is video surveillance

582
00:37:58,560 --> 00:37:59,560
in front of your home.

583
00:38:01,200 --> 00:38:03,600
It's three days old.

584
00:38:04,520 --> 00:38:22,719
...

585
00:38:23,719 --> 00:38:27,719
I don't know what you're saying to her,
but they look like threats.

586
00:38:30,160 --> 00:38:31,520
What do you say?

587
00:38:35,080 --> 00:38:38,680
We'll ask an expert
to read your lips.

588
00:38:39,000 --> 00:38:41,000
We'll soon find out.

589
00:38:44,000 --> 00:38:46,000
- There's no need.

590
00:38:48,080 --> 00:38:50,880
I said, "Touch her again

591
00:38:51,200 --> 00:38:52,800
and I'll kill you."

592
00:38:56,600 --> 00:38:57,800
OK.

593
00:38:58,120 --> 00:39:00,920
So the time is 11:42 a.m. Mme. Horovitz,

594
00:39:01,239 --> 00:39:05,360
you are in custody for
death threats against Julie Delmas.

595
00:39:05,680 --> 00:39:08,800
Take Mme. Horovitz to the cell please.

596
00:39:09,120 --> 00:39:10,719
I'll call the prosecutor.

597
00:39:11,040 --> 00:39:14,480
- I didn't kill her.
- Come on, let's go.

598
00:39:14,800 --> 00:39:16,000
Thank you.

599
00:39:17,000 --> 00:39:52,000
...

600
00:39:53,000 --> 00:39:57,000
- "Chantal was hiding behind
her art history books,

601
00:39:57,320 --> 00:40:01,520
"when only carnal love would have
broken the dullness of her life.

602
00:40:01,840 --> 00:40:05,239
"The slightest brush
made her shiver..."

603
00:40:05,560 --> 00:40:09,560
- "Chantal couldn't take it much longer,
hiding from the obvious..."

604
00:40:09,880 --> 00:40:13,280
- "She burned with desire
for Anthony Bellone."

605
00:40:13,600 --> 00:40:17,400
- "This delicious torture
was getting worse every day."

606
00:40:17,719 --> 00:40:19,880
- "He alone was capable

607
00:40:20,200 --> 00:40:23,400
"of awakening in her
this sleeping volcano."

608
00:40:25,600 --> 00:40:31,080
- "He alone was capable of awakening
in her this sleeping volcano."

609
00:40:34,200 --> 00:40:36,960
How are you? Did you have a good laugh?

610
00:40:37,280 --> 00:40:40,840
Everyone's read it, haven't they?
What's the funny part?

611
00:40:41,160 --> 00:40:45,960
The nerd in love with Bellone
will loosen her up and reveal

612
00:40:46,280 --> 00:40:49,080
true love in bed?

613
00:40:49,400 --> 00:40:53,239
What's the phrase again?
I can't find it,

614
00:40:53,560 --> 00:40:56,400
but it's so memorable

615
00:40:56,719 --> 00:40:58,520
I remember it...

616
00:40:59,800 --> 00:41:03,800
"He, who awakens in her
a sleeping volcano". Hilarious.

617
00:41:04,120 --> 00:41:07,120
I laughed a lot.
- I don't get it.

618
00:41:07,440 --> 00:41:08,719
I got the prosecutor.

619
00:41:09,040 --> 00:41:10,800
I'll release Garnier.

620
00:41:11,120 --> 00:41:13,320
We'll grill Horovitz tomorrow.

621
00:41:13,640 --> 00:41:15,080
- OK, that's great.

622
00:41:16,440 --> 00:41:19,360
- Wow. What's up? What's going on?

623
00:41:19,680 --> 00:41:22,400
- It happens that your Anthony Bellone,

624
00:41:22,719 --> 00:41:24,520
as I explained to the Commander,

625
00:41:24,840 --> 00:41:29,360
has a colleague called
Chantal Flossagne. Amazing!

626
00:41:29,680 --> 00:41:32,640
She's kind of a nerd who's

627
00:41:32,960 --> 00:41:36,000
lost in her books.
Does it mean anything to you?

628
00:41:37,600 --> 00:41:42,280
- No, but... What's the matter?
Is there a problem with that?

629
00:41:42,600 --> 00:41:47,280
- Not for you: you are
the virile, courageous hero.

630
00:41:47,600 --> 00:41:51,000
Whereas I'm a vase.

631
00:41:51,320 --> 00:41:54,520
A frigid vase.

632
00:41:56,960 --> 00:41:57,960
- No,

633
00:41:58,280 --> 00:42:00,360
but it's not you,

634
00:42:00,680 --> 00:42:02,440
Madame Chassagne. It's a character.
It's not you.

635
00:42:02,760 --> 00:42:06,480
- Of course it wasn't me!
I'm not a trophy wife!

636
00:42:06,800 --> 00:42:09,040
And I'm not frigid!

637
00:42:09,360 --> 00:42:13,760
Anyway, it's my colleague
she's taken as a model,

638
00:42:14,080 --> 00:42:18,080
and it's my father for whom
she did a belly dance after

639
00:42:18,400 --> 00:42:20,960
hiring him!
- But...

640
00:42:21,280 --> 00:42:23,719
Let me be very clear:

641
00:42:24,040 --> 00:42:28,840
if Patricia Richter continues
to write here, I'm handing in my resignation.

642
00:42:30,840 --> 00:42:33,360
- What?
- It's either her or me.

643
00:42:36,600 --> 00:42:38,520
It's either her or me.

644
00:42:38,840 --> 00:42:41,880
I'll have to call the office.

645
00:42:42,200 --> 00:42:45,680
of the Minister, they approved
her presence.

646
00:42:46,000 --> 00:42:47,200
- What?

647
00:42:51,400 --> 00:42:53,360
Say something.

648
00:42:55,000 --> 00:42:57,480
- He has to call the minister.

649
00:42:57,800 --> 00:42:58,800
I don't know.

650
00:42:59,120 --> 00:43:00,320
- I'm fine.

651
00:43:02,200 --> 00:43:03,800
It's okay, I get it.

652
00:43:04,120 --> 00:43:07,520
In any case,
you don't need me anymore,

653
00:43:07,840 --> 00:43:09,680
you have a suspect.

654
00:43:12,200 --> 00:43:13,640
Am I dismissed?

655
00:43:13,960 --> 00:43:15,400
But no,

656
00:43:15,719 --> 00:43:17,120
Madame Chassagne.

657
00:43:17,440 --> 00:43:20,440
- It was a pleasure.
The phone is ringing.

658
00:43:20,760 --> 00:43:21,760
- Wait!

659
00:43:22,080 --> 00:43:25,280
Hello? Antoine, wait!
-Goodbye, everyone.

660
00:43:25,600 --> 00:43:29,239
The alarm has gone off
at the gaming company!

661
00:43:29,560 --> 00:43:30,920
- Come on, let's go!

662
00:43:31,239 --> 00:43:32,239
Excuse me!

663
00:43:34,560 --> 00:44:03,560
...

664
00:44:04,560 --> 00:44:06,680
Where did he go?

665
00:44:09,200 --> 00:44:10,400
Here we go.

666
00:44:11,680 --> 00:44:43,480
...

667
00:44:43,800 --> 00:44:46,239
A door slams shut.
Antoine !

668
00:44:52,320 --> 00:44:54,120
Antoine, the gate! The gate!

669
00:44:54,440 --> 00:44:55,640
- Fuck!

670
00:45:01,800 --> 00:45:04,680
- What's up?
- He took off.

671
00:45:08,600 --> 00:45:10,200
- I'll call Adèle.

672
00:45:16,239 --> 00:45:17,239
Adèle,

673
00:45:17,560 --> 00:45:21,320
send the STP and ask
the surveillance company

674
00:45:21,640 --> 00:45:23,640
to send the videos.

675
00:45:24,800 --> 00:45:29,600
- Wait, it's the same print
as at the crime scene.

676
00:45:30,600 --> 00:45:32,200
It was the killer.

677
00:45:40,160 --> 00:45:44,560
- It's 10 minutes before our arrival
in Julie Delmas' office.

678
00:45:46,719 --> 00:45:50,239
- He takes the hard drive
from his victim's desk...

679
00:45:54,960 --> 00:45:57,640
And he takes the other geek's computer.

680
00:45:57,960 --> 00:46:00,360
Why is he taking this computer?

681
00:46:00,680 --> 00:46:03,200
He's checking something on the screen.

682
00:46:03,520 --> 00:46:05,160
- Try zooming in.

683
00:46:07,320 --> 00:46:09,080
I know her.

684
00:46:09,400 --> 00:46:10,800
- Really?

685
00:46:11,120 --> 00:46:14,520
- It's the actress
who plays the missing woman,

686
00:46:14,840 --> 00:46:18,360
what's-his-name's cousin.
Can we read the text?

687
00:46:19,480 --> 00:46:23,719
"To find out where I've gone,
go see old Bertin.

688
00:46:24,040 --> 00:46:27,239
"He has one thing in common
with the musician."

689
00:46:27,560 --> 00:46:30,000
It's still an enigma.

690
00:46:30,320 --> 00:46:32,600
*-You have reached the answering machine.

691
00:46:32,920 --> 00:46:36,800
*of Florence Chassagne.
Leave me a message. Thank you.

692
00:46:37,120 --> 00:46:41,440
*Antoine, if that's you,
please leave me a message.

693
00:46:41,760 --> 00:46:43,040
It's Antoine.

694
00:46:43,360 --> 00:46:46,760
You said "I've handed in my resignation" and all that,

695
00:46:47,080 --> 00:46:50,480
and I wanted to know what it meant.

696
00:46:50,800 --> 00:46:54,800
I mean, I know
what it means, but what...

697
00:46:55,800 --> 00:46:57,600
What that means.

698
00:46:57,920 --> 00:47:02,719
Okay. Finally. Here goes. May we
talk to each other, that would be nice.

699
00:47:03,040 --> 00:47:04,640
I send you my love.

700
00:47:04,960 --> 00:47:07,360
Anyway, a big kiss...

701
00:47:07,680 --> 00:47:11,280
I don't kiss you
just as you think,

702
00:47:11,600 --> 00:47:13,400
I kiss you...

703
00:47:17,000 --> 00:47:20,800
Why steal this computer?
What was in it?

704
00:47:22,400 --> 00:47:26,800
Mr. Bernard, the killer didn't steal
your computer by chance!

705
00:47:30,200 --> 00:47:32,120
Aren't you going to answer?

706
00:47:33,400 --> 00:47:36,600
Well, Antoine,
you can show him the...

707
00:47:43,600 --> 00:47:46,160
- "Go and see old Bertin."

708
00:47:46,480 --> 00:47:50,280
What kind of riddle is this?
She wasn't in the game.

709
00:47:50,600 --> 00:47:55,040
- She was in the first
version, the long version.

710
00:47:55,360 --> 00:47:56,640
The long version?

711
00:47:56,960 --> 00:47:59,200
It was abandoned due to lack of financing.

712
00:48:00,800 --> 00:48:04,960
- Yes, but Julie had started
working on it before, and...

713
00:48:06,600 --> 00:48:07,960
- And what?

714
00:48:08,280 --> 00:48:10,320
- She wanted to finish it.

715
00:48:10,640 --> 00:48:12,880
And how did she

716
00:48:13,200 --> 00:48:15,120
plan to do it?

717
00:48:15,440 --> 00:48:19,040
- She had a few things
already completed.

718
00:48:20,040 --> 00:48:22,640
- Where are these elements?

719
00:48:22,960 --> 00:48:24,560
- On hard disk.

720
00:48:31,000 --> 00:48:33,560
- She was putting her hard drive away

721
00:48:33,880 --> 00:48:35,440
in this drawer?

722
00:48:39,840 --> 00:48:43,400
- I don't know. I guess so.

723
00:48:43,719 --> 00:48:49,600
- OK. And why did this riddle
end up on your computer?

724
00:48:49,920 --> 00:48:52,520
- Julie had asked me to help her,

725
00:48:52,840 --> 00:48:55,440
to integrate it at the end of the game.

726
00:48:55,760 --> 00:48:57,560
And you did

727
00:48:57,880 --> 00:48:59,000
behind your

728
00:48:59,320 --> 00:49:00,719
boss's back.

729
00:49:02,800 --> 00:49:06,520
It couldn't have been easy
to say no to Ms. Delmas.

730
00:49:06,840 --> 00:49:09,440
She was quite charming.

731
00:49:09,760 --> 00:49:13,760
And then a good geek like you
doesn't get hit on very often.

732
00:49:14,080 --> 00:49:15,680
She charmed

733
00:49:16,000 --> 00:49:17,600
you a little.

734
00:49:18,600 --> 00:49:22,000
- In any case,
I didn't want to do it anymore.

735
00:49:24,800 --> 00:49:28,520
- Okay, so that's why
she threatened you.

736
00:49:29,800 --> 00:49:32,280
- But, no.
But, yes.

737
00:49:33,800 --> 00:49:37,600
- A deleted message has been found
in your mailbox.

738
00:49:37,920 --> 00:49:42,080
"Do it or I'll ruin your life.
I'll tell Christian everything."

739
00:49:45,040 --> 00:49:47,040
- Listen, the problem is

740
00:49:47,360 --> 00:49:51,760
you have no alibi for yesterday
nor for the evening of the murder.

741
00:49:53,400 --> 00:49:56,760
So we start
to ask questions.

742
00:50:00,239 --> 00:50:04,080
- Do you believe him?
- That's not the point.

743
00:50:04,400 --> 00:50:07,880
Pushing the slopes
and see what falls out.

744
00:50:08,200 --> 00:50:11,040
*-The enigma access is a sequence

745
00:50:11,360 --> 00:50:14,960
hidden in the game,
and switch to the next step,

746
00:50:15,280 --> 00:50:17,280
in the long version.

747
00:50:17,600 --> 00:50:21,000
And this hidden sequence,
has it been put in?

748
00:50:21,320 --> 00:50:24,000
- Yes, but Christian called it off.

749
00:50:27,400 --> 00:50:28,400
What?

750
00:50:28,719 --> 00:50:32,840
- Ms. Delmas had a tendency to
mix her game with reality.

751
00:50:33,160 --> 00:50:37,160
The sequence contains something
compromising about you?

752
00:50:37,480 --> 00:50:38,600
- What? No!

753
00:50:38,920 --> 00:50:42,920
- It should be accessible.
- Without it, we're just imagining.

754
00:50:43,239 --> 00:50:45,600
- I don't know how to get there.

755
00:50:45,920 --> 00:50:48,800
And I didn't have
the solution to the riddle.

756
00:50:49,120 --> 00:50:51,400
- "Go see old Bertin."

757
00:50:51,719 --> 00:50:54,200
He was a newspaper boss

758
00:50:54,520 --> 00:50:57,920
under Louis-Philippe.
Ingres painted his portrait.

759
00:50:58,239 --> 00:51:02,280
"He has one thing in common
with the musician."

760
00:51:02,600 --> 00:51:07,600
It could be the woman
with guitar in "The Turkish Bath",

761
00:51:07,920 --> 00:51:12,520
but I don't see one thing in common
between the two.

762
00:51:12,840 --> 00:51:15,440
For me, it's gibberish.

763
00:51:16,440 --> 00:51:20,120
- Are you sure?
- I'm an art historian,

764
00:51:20,440 --> 00:51:24,440
I don't play guessing games.
For that, you have my daughter.

765
00:51:24,760 --> 00:51:26,120
Your daughter

766
00:51:26,440 --> 00:51:28,239
flew out of here.

767
00:51:28,560 --> 00:51:31,920
- Really?
She can be touchy.

768
00:51:32,239 --> 00:51:36,800
- Well, let's get on with the questioning of
V. Bernard. The prosecutor wants to know

769
00:51:37,120 --> 00:51:39,920
what's in that sequence of the game.

770
00:51:40,239 --> 00:51:41,160
- Wait.

771
00:51:41,480 --> 00:51:44,120
I may have an idea.

772
00:51:49,600 --> 00:51:52,800
- In 1815, I was as idle as you.

773
00:51:53,120 --> 00:51:55,000
When the empire fell,

774
00:51:55,320 --> 00:51:58,520
the French left Rome like a sinking ship.

775
00:51:58,840 --> 00:52:01,280
- Your customers left you,

776
00:52:01,600 --> 00:52:05,800
but you stayed in Italy.
- In Paris, I was humiliated.

777
00:52:06,120 --> 00:52:10,800
- You're too proud.
You'll be reunited with your colleagues.

778
00:52:11,120 --> 00:52:13,960
as if nothing had happened?
- Oh no! Not the same thing.

779
00:52:14,280 --> 00:52:16,040
I've made a living

780
00:52:16,360 --> 00:52:19,120
drawing portraits.

781
00:52:19,440 --> 00:52:22,440
- But me, I'm not here out of spite.

782
00:52:22,760 --> 00:52:27,160
The Louvre is my home.
On the contrary, I'm rather...

783
00:52:28,600 --> 00:52:31,640
... at peace, to be honest.

784
00:52:31,960 --> 00:52:33,960
Phone vibrates.

785
00:52:34,280 --> 00:52:35,480
Ah.

786
00:52:36,480 --> 00:52:38,040
My father.

787
00:52:39,800 --> 00:52:41,160
*-Hello, Floflo?

788
00:52:41,480 --> 00:52:45,480
- To what do I owe this honor?
I thought all your thoughts

789
00:52:45,800 --> 00:52:48,200
*were about Richter.

790
00:52:48,520 --> 00:52:49,960
- How are you?

791
00:52:50,280 --> 00:52:53,480
*-OK, you got something.
Ask me.

792
00:52:53,800 --> 00:52:56,800
- Ah no! I mean... All right, then.

793
00:52:57,120 --> 00:53:00,120
I have a quick question for you.

794
00:53:00,440 --> 00:53:05,160
Here it is: Madame Richter
had an intuition last night.

795
00:53:05,480 --> 00:53:08,560
*One sentence
came to her, just like that.

796
00:53:08,880 --> 00:53:12,280
You know, inspiration,
you can't explain it.

797
00:53:12,600 --> 00:53:16,400
She asks me what I think,
and I'm very annoyed

798
00:53:16,719 --> 00:53:19,960
because I don't understand
what she means.

799
00:53:20,280 --> 00:53:23,280
- Why are you calling me?
Ask her.

800
00:53:23,600 --> 00:53:26,160
*I'd like to have something

801
00:53:26,480 --> 00:53:30,480
intelligent to respond with.
Can I read you the sentence?

802
00:53:30,800 --> 00:53:33,960
- I'm listening.
*-"To find

803
00:53:34,280 --> 00:53:37,680
"where I've gone,
go and see old Bertin.

804
00:53:38,000 --> 00:53:41,480
"He lives next door to me.
He has one thing in common

805
00:53:41,800 --> 00:53:43,800
*"with the musician."

806
00:53:44,120 --> 00:53:47,719
*Bertin, I see who it is,
but the common thread...

807
00:53:48,040 --> 00:53:49,520
- OK, dad, can you

808
00:53:49,840 --> 00:53:53,040
*pass me Pardo or Verlay.
- What?

809
00:53:53,360 --> 00:53:57,920
*-Stop your circus, I know
they're right next to you.

810
00:53:58,239 --> 00:54:00,239
- It was an inane idea.

811
00:54:00,560 --> 00:54:01,520
- Mme. Chassagne.

812
00:54:03,800 --> 00:54:07,239
- Hello, Captain?
Can you hear me?

813
00:54:07,560 --> 00:54:09,160
- Yes, I hear you.

814
00:54:09,480 --> 00:54:12,880
*As long as Patricia Richter
remains with OCBC,

815
00:54:13,200 --> 00:54:16,560
*and continues
writing nonsense about me,

816
00:54:16,880 --> 00:54:19,800
*no, not nonsense,
ignominious slander

817
00:54:20,120 --> 00:54:24,480
about me, I won't be taking part in this investigation!

818
00:54:24,800 --> 00:54:26,080
*Is it clear?

819
00:54:26,400 --> 00:54:30,360
- Madame Chassagne, it's very...
*There's no "Mme. Chassagne"!

820
00:54:30,680 --> 00:54:33,280
There's Richter, there's no investigation.

821
00:54:33,600 --> 00:54:36,080
No arms, no chocolate. [French phrase]

822
00:54:36,400 --> 00:54:38,800
*I'm hanging up now.

823
00:54:39,120 --> 00:54:41,120
*Tone.

824
00:54:42,800 --> 00:54:46,760
- And so? What did she say?

825
00:54:53,000 --> 00:54:55,719
- Why are you looking at me like that?

826
00:55:08,200 --> 00:55:12,400
- "Go and see old Bertin.
He lives next door to me."

827
00:55:13,800 --> 00:55:17,600
- He had built
a small neoclassical château

828
00:55:17,920 --> 00:55:21,719
near Bièvres,
and his son was one of my students.

829
00:55:22,040 --> 00:55:23,239
- That, I know.

830
00:55:25,200 --> 00:55:28,000
But your wife's cousin,

831
00:55:28,320 --> 00:55:32,719
she never lived next door to him, did she?

832
00:55:33,040 --> 00:55:34,640
- Of course not.

833
00:55:35,640 --> 00:55:36,800
- Wait.

834
00:55:37,120 --> 00:55:40,760
It means...
You didn't want to participate

835
00:55:41,080 --> 00:55:42,880
in this investigation anymore.

836
00:55:43,200 --> 00:55:47,000
- That's true, but I can't help it.

837
00:55:47,320 --> 00:55:50,000
I can't help it. It's...

838
00:55:51,000 --> 00:55:52,400
It's a disease.

839
00:55:52,719 --> 00:55:54,360
Antoine knocks.

840
00:55:58,040 --> 00:55:59,680
- May I come in?

841
00:56:02,080 --> 00:56:06,600
Uh... I...
I'd like to talk to you.

842
00:56:09,200 --> 00:56:11,600
I mean, excuse me.

843
00:56:14,000 --> 00:56:15,120
It's true that

844
00:56:15,440 --> 00:56:19,800
I like that  Richter chose me
as a model for her book.

845
00:56:20,120 --> 00:56:25,239
But I read what she wrote
about you, and it's true

846
00:56:25,560 --> 00:56:28,160
she's going a bit too far.

847
00:56:28,480 --> 00:56:29,840
- Not just a little.

848
00:56:30,160 --> 00:56:31,600
Quite a lot, in fact.

849
00:56:32,800 --> 00:56:34,200
- Very far, yes.

850
00:56:36,400 --> 00:56:39,320
Look, I talked to her

851
00:56:39,640 --> 00:56:43,480
and she's ready
to rewrite your character.

852
00:56:43,800 --> 00:56:46,840
- I hope it will be
a great character.

853
00:56:47,160 --> 00:56:48,560
A nice girl

854
00:56:48,880 --> 00:56:53,880
that you want to like,

855
00:56:54,200 --> 00:56:57,800
modern... a modern girl...
- A bit zany,

856
00:56:58,120 --> 00:57:01,920
but endearing,
charming, sparkling,

857
00:57:02,239 --> 00:57:03,880
uh...

858
00:57:09,120 --> 00:57:10,120
- Thank you.

859
00:57:10,440 --> 00:57:15,840
Thank you for your apologies and for
coming all the way here to do it.

860
00:57:18,320 --> 00:57:20,000
You're a nice guy.

861
00:57:23,040 --> 00:57:24,960
I've got something for you.

862
00:57:25,280 --> 00:57:28,880
- Really?
I thought of your Monsieur Bertin

863
00:57:29,200 --> 00:57:30,800
and the musician.

864
00:57:31,120 --> 00:57:33,080
- Any ideas?

865
00:57:33,400 --> 00:57:35,000
- Come with me.

866
00:57:36,080 --> 00:57:41,280
Vincent Bernard may have killed
so we don't see the sequence?

867
00:57:41,600 --> 00:57:46,400
- I don't know yet. We'll know more
when we've solved the riddle.

868
00:57:46,720 --> 00:57:48,000
- That's for sure.

869
00:57:49,400 --> 00:57:53,760
Captain, meet Louis-François Bertin.
This portrait by Ingres is famous.

870
00:57:55,360 --> 00:57:56,360
- So what?

871
00:57:56,680 --> 00:58:00,040
- When she says
"He lives next door to me",

872
00:58:00,360 --> 00:58:05,320
she means they're neighbors
here, in the museum: Julie Delmas

873
00:58:05,640 --> 00:58:08,400
wanted the second part of the game

874
00:58:08,720 --> 00:58:10,960
to be through the Louvre.

875
00:58:11,280 --> 00:58:13,680
- So what's the common denominator?

876
00:58:14,000 --> 00:58:17,200
There's one thing in common
between the two paintings?

877
00:58:17,520 --> 00:58:18,720
- Absolutely.

878
00:58:19,520 --> 00:58:21,800
She's the musician.

879
00:58:23,200 --> 00:58:24,800
I'll get it.

880
00:58:25,120 --> 00:58:27,920
In general, what I'm looking for...

881
00:58:30,000 --> 00:58:32,200
Just say it.
- ... you find it.  - There you go.

882
00:58:32,520 --> 00:58:36,520
It's true, when you're looking,
you find. But here,

883
00:58:36,840 --> 00:58:40,640
I don't see how these two paintings
have anything to do with it.

884
00:58:42,400 --> 00:58:43,840
Huh?

885
00:58:44,160 --> 00:58:46,040
What's going on?

886
00:58:53,000 --> 00:58:54,720
What's up? What is it?

887
00:58:55,040 --> 00:58:58,440
- You see the birds,
there, on the frame?

888
00:58:58,760 --> 00:59:00,920
Yes, I see them.

889
00:59:01,240 --> 00:59:02,240
Birds.

890
00:59:02,560 --> 00:59:07,160
- Little birds. And there,
in the fabric under her buttocks,

891
00:59:07,480 --> 00:59:10,320
the little orange stripe...

892
00:59:10,640 --> 00:59:11,920
Come closer.

893
00:59:12,240 --> 00:59:13,840
What do you see?

894
00:59:14,840 --> 00:59:16,440
- A bird.

895
00:59:18,280 --> 00:59:21,240
- Birds. One bird.
Call the Commander.

896
00:59:21,560 --> 00:59:25,160
I'm sure of myself.
- Is that what you think it is?

897
00:59:25,480 --> 00:59:28,920
- I... I... call him.

898
00:59:29,240 --> 00:59:30,840
*-Press "Continue".

899
00:59:31,160 --> 00:59:33,640
You're hot.
Thank you, Adele.

900
00:59:33,960 --> 00:59:36,360
We're ready, Antoine!

901
00:59:36,680 --> 00:59:38,560
*-OK.
Can you hear us?

902
00:59:38,880 --> 00:59:40,920
- Yes.
- Commander,

903
00:59:41,240 --> 00:59:46,400
*you see a blue fabric with
a small coffee table next to it?

904
00:59:48,000 --> 00:59:50,000
Yes, I can see the fabric.

905
00:59:50,320 --> 00:59:54,600
*-On the fabric, there's
an orange stripe, see?

906
00:59:54,920 --> 00:59:56,240
- Yes. Absolutely.

907
00:59:56,560 --> 00:59:59,560
*-A little bird is embroidered on it.

908
00:59:59,880 --> 01:00:01,120
- Yes. I see the bird. Yes.

909
01:00:01,440 --> 01:00:03,600
- Point at the bird with the joystick.

910
01:00:06,800 --> 01:00:07,800
- Take a look.

911
01:00:08,120 --> 01:00:10,440
He changes color.

912
01:00:12,080 --> 01:00:14,200
*-Click on it, to see.

913
01:00:21,800 --> 01:00:25,560
*Is something up?
There's a woman approaching.

914
01:00:25,880 --> 01:00:28,880
- A woman? Meaning?

915
01:00:29,200 --> 01:00:31,520
The missing woman.

916
01:00:33,400 --> 01:00:35,000
*-Bravo, you've completed

917
01:00:35,320 --> 01:00:37,960
the first step in your quest to find me.

918
01:00:38,280 --> 01:00:39,880
- The hidden sequence.

919
01:00:40,200 --> 01:00:43,560
- Yes, we hear.
*-Now you have to get out there

920
01:00:43,880 --> 01:00:46,280
and make this woman talk.

921
01:00:46,600 --> 01:00:48,000
*-Which woman?

922
01:00:48,320 --> 01:00:51,760
Another woman approaches,
the woman with the guitar.

923
01:00:55,800 --> 01:01:01,000
- I've turned my back on her, but
only I know where she is.

924
01:01:04,200 --> 01:01:09,000
*-To continue the game,
click on "Next".

925
01:01:15,720 --> 01:01:18,720
Nothing's happening.
*-Julie Delmas

926
01:01:19,040 --> 01:01:22,040
never finished
the long version.

927
01:01:22,360 --> 01:01:26,320
- Is there anything else?
*-Nothing. "I've turned my back on her

928
01:01:26,640 --> 01:01:29,000
Sound familiar?

929
01:01:29,320 --> 01:01:30,680
- Does it mean anything to you?

930
01:01:31,000 --> 01:01:35,760
- "I've turned my back on her, but
but only I know where she is."

931
01:01:36,080 --> 01:01:38,280
*-We'll call you back.
OK.

932
01:01:42,880 --> 01:01:44,480
- It's well done.

933
01:01:44,800 --> 01:01:46,520
- Insane.

934
01:01:46,840 --> 01:01:50,120
- You looked very pretty in...
- And you! I was sweating.

935
01:01:50,440 --> 01:01:52,080
- Thank you.

936
01:01:52,400 --> 01:01:56,800
"I've turned my back on her, but
only I know where she is."

937
01:01:57,120 --> 01:02:00,800
You see? There's nothing
accusing me in this sequence!

938
01:02:03,400 --> 01:02:05,400
- We found these traces

939
01:02:05,720 --> 01:02:07,720
at the crime scene.

940
01:02:08,800 --> 01:02:09,800
You see?

941
01:02:12,400 --> 01:02:13,800
And we found these

942
01:02:14,120 --> 01:02:18,200
at your home. The soles are identical.

943
01:02:18,520 --> 01:02:21,120
- Those are famous sneakers!

944
01:02:21,440 --> 01:02:24,040
- We'll check with the lab.

945
01:02:24,360 --> 01:02:26,080
- Why would I steal

946
01:02:26,400 --> 01:02:29,960
my own computer
two days after the murder?

947
01:02:30,280 --> 01:02:32,080
It doesn't make sense!

948
01:02:32,400 --> 01:02:36,160
Just a little imagination.

949
01:02:36,480 --> 01:02:41,080
He understands that Julie was manipulating him
to help him finish the game.

950
01:02:42,080 --> 01:02:44,880
After using her charm,

951
01:02:45,200 --> 01:02:47,520
now she's threatening him.

952
01:02:49,040 --> 01:02:51,080
He feels betrayed, dirty,

953
01:02:51,400 --> 01:02:55,400
deeply touching his innermost being.

954
01:02:55,720 --> 01:02:58,560
She'll never sleep with him.

955
01:02:58,880 --> 01:02:59,960
It's just too much for him.

956
01:03:00,280 --> 01:03:03,120
Hate overwhelms him.

957
01:03:03,440 --> 01:03:06,000
He grabs the statuette

958
01:03:06,320 --> 01:03:11,320
and goes after Julie!
One shot! Two shots!

959
01:03:12,000 --> 01:03:15,040
Three blows! She doesn't move anymore,

960
01:03:15,360 --> 01:03:18,080
but he's relentless:
she has to pay

961
01:03:18,400 --> 01:03:21,920
for all the suffering
that she inflicted on him!

962
01:03:26,640 --> 01:03:28,080
After that,

963
01:03:28,400 --> 01:03:31,360
he's in a second state.

964
01:03:31,680 --> 01:03:36,560
Disoriented, he has only one idea
in mind: running away.

965
01:03:37,600 --> 01:03:42,000
The first day, he tries to play it cool,

966
01:03:42,320 --> 01:03:46,920
but he soon realizes the police
are interested in Julie's game.

967
01:03:50,480 --> 01:03:52,360
So now he's panicking.

968
01:03:52,680 --> 01:03:57,320
What if we were to discover
something that concerns him?

969
01:03:57,640 --> 01:04:00,760
We could then trace back to him.

970
01:04:02,000 --> 01:04:04,680
It's far too dangerous.

971
01:04:05,000 --> 01:04:09,240
So he decides to return
to the crime scene and steal

972
01:04:09,560 --> 01:04:11,680
anything which could implicate him.

973
01:04:20,400 --> 01:04:25,040
- Nice. It doesn't tell us what he
didn't want us to find,

974
01:04:25,360 --> 01:04:28,000
but that's a good point.
It's not bad.

975
01:04:29,400 --> 01:04:33,600
- This story of a woman
that turns her back on another,

976
01:04:33,920 --> 01:04:35,920
does it sound familiar?

977
01:04:39,000 --> 01:04:40,360
- No.

978
01:04:44,800 --> 01:04:46,520
In any case...

979
01:04:46,840 --> 01:04:49,600
If this missing woman is indeed

980
01:04:49,920 --> 01:04:55,120
Ingres's wife's cousin, we see
no mention of her disappearance.

981
01:04:55,440 --> 01:04:58,800
As for the woman
who plays guitar

982
01:04:59,120 --> 01:05:01,400
and who would have turned her back on her,

983
01:05:01,720 --> 01:05:03,240
it doesn't make sense.

984
01:05:06,600 --> 01:05:09,920
- I'm sorry to say it, but

985
01:05:10,240 --> 01:05:12,000
it's very disappointing.

986
01:05:12,320 --> 01:05:33,760
...

987
01:05:35,200 --> 01:05:37,200
I'd like to talk to you

988
01:05:37,520 --> 01:05:42,680
about my novel, with Anthony Bellone
and Chantal Flossagne.

989
01:05:43,000 --> 01:05:46,000
- Change that ridiculous name,
Chantal Flossagne.

990
01:05:46,320 --> 01:05:50,120
- I confess, I exaggerated a little
on your character,

991
01:05:50,440 --> 01:05:54,960
but this love story, I can't change it.

992
01:05:56,000 --> 01:05:57,400
- And why?

993
01:05:57,720 --> 01:06:02,160
- Because otherwise, the novel
would no longer be of any interest.

994
01:06:08,000 --> 01:06:12,440
It's what my readers will like.
That's precisely why,

995
01:06:12,760 --> 01:06:15,400
despite their differences,

996
01:06:15,720 --> 01:06:18,160
despite their prejudices,

997
01:06:18,480 --> 01:06:21,240
why these two characters

998
01:06:21,560 --> 01:06:25,120
are incapable
of separating from each other.

999
01:06:25,440 --> 01:07:36,560
...

1000
01:07:36,880 --> 01:07:40,760
What if, after all, they were
to live together?

1001
01:07:41,080 --> 01:07:44,680
It's the strength of this destiny
which will fascinate them.

1002
01:07:53,000 --> 01:07:56,840
You two are the best
story, and you know it.

1003
01:07:57,160 --> 01:08:00,560
It's just that you refuse
to accept it.

1004
01:08:02,000 --> 01:08:03,600
- Mme. Richter...

1005
01:08:05,600 --> 01:08:09,600
If you use my private life
closely or even roughly,

1006
01:08:09,920 --> 01:08:12,680
I'll sue your ass.

1007
01:08:13,000 --> 01:08:37,680
...

1008
01:08:38,680 --> 01:08:39,680
Florence!

1009
01:08:42,920 --> 01:08:44,400
Florence!
- Dad, what are you doing here?

1010
01:08:44,720 --> 01:08:46,600
- Are you happy with yourself?

1011
01:08:46,920 --> 01:08:51,080
- What are you talking about?
- Patricia Richter stopped everything.

1012
01:08:51,400 --> 01:08:53,479
She abandoned her novel about OCBC.

1013
01:08:53,800 --> 01:08:57,720
- Really?
All because of your pride! It's grotesque!

1014
01:08:58,040 --> 01:08:58,840
- What?

1015
01:08:59,160 --> 01:09:00,840
- Thanks to her,

1016
01:09:01,160 --> 01:09:04,920
I had the opportunity
to talk about art history

1017
01:09:05,240 --> 01:09:09,640
to millions of people!
- Dad, stop yelling.

1018
01:09:09,960 --> 01:09:13,960
Have you even read
what she wrote about me?

1019
01:09:14,280 --> 01:09:17,520
- "Me, me, me"!
Always you! What's this?

1020
01:09:17,840 --> 01:09:22,720
compared to the possibility of speaking
to millions of people?!

1021
01:09:23,040 --> 01:09:25,640
Look, "La Grande Odalisque"!

1022
01:09:25,960 --> 01:09:28,600
Ingres accused of classicism

1023
01:09:28,920 --> 01:09:33,640
while its audacity is incredible!
We've never seen anything like it!

1024
01:09:33,960 --> 01:09:37,040
The breast,
it's a billiard ball,

1025
01:09:37,360 --> 01:09:41,000
there are too many vertebrae,
the leg seems to start at the navel,

1026
01:09:41,320 --> 01:09:46,000
nothing is realistic,
and yet everything is beautiful.

1027
01:09:46,320 --> 01:09:48,120
It's so disturbing.

1028
01:09:48,439 --> 01:09:51,840
- I thought
that you'd come to yell at me.

1029
01:09:52,160 --> 01:09:56,760
- And instead of passing that on,
you only think of yourself.

1030
01:09:57,080 --> 01:10:01,479
You're as dumb as Napoleon's sister
when she refused him.

1031
01:10:01,800 --> 01:10:07,040
"I wanted one like the first.
To look pretty in the living room."

1032
01:10:07,360 --> 01:10:08,760
What a twit!

1033
01:10:09,080 --> 01:10:12,000
- "To look pretty in the living room"?

1034
01:10:12,320 --> 01:10:17,520
- Yes, the Murats had ordered
a nude to match

1035
01:10:17,840 --> 01:10:21,439
the "La Dormeuse de Naples"
which they bought in 1808.

1036
01:10:23,000 --> 01:10:26,320
- I love you, Daddy. I really do.
- Why?

1037
01:10:26,640 --> 01:10:29,040
- I'll explain later.
- Floflo!

1038
01:10:29,360 --> 01:10:30,560
- I love you!

1039
01:10:37,400 --> 01:10:39,320
Are you all right, Mr. Bernstein?

1040
01:10:39,640 --> 01:10:42,240
- I'm okay.
- We missed you.

1041
01:10:42,560 --> 01:10:43,640
- Good afternoon.
- Good afternoon.

1042
01:10:47,760 --> 01:10:49,080
You see

1043
01:10:49,400 --> 01:10:51,360
these two paintings here?

1044
01:10:51,680 --> 01:10:54,280
They were hung like this

1045
01:10:54,600 --> 01:10:57,680
in the royal salon of the
Murat family in Naples.

1046
01:10:58,000 --> 01:11:01,320
- Back-to-back.
- Exactly. The woman with the guitar,

1047
01:11:01,640 --> 01:11:03,640
in the game, said:

1048
01:11:03,960 --> 01:11:08,560
"I've turned my back on her."
For Julie Delmas, in fact,

1049
01:11:08,880 --> 01:11:13,400
the great odalisque and the woman
with the guitar are the same person.

1050
01:11:13,720 --> 01:11:14,920
- All right.

1051
01:11:15,240 --> 01:11:18,000
- So this one, in red,

1052
01:11:18,320 --> 01:11:21,360
this is the missing woman from the game.

1053
01:11:21,680 --> 01:11:23,040
- It's all the same.

1054
01:11:23,360 --> 01:11:26,800
"I turn my back on her." See?
But what's that got to do

1055
01:11:27,120 --> 01:11:28,960
with the investigation?

1056
01:11:29,280 --> 01:11:31,160
- It's the motive

1057
01:11:31,479 --> 01:11:33,600
for murder: the goal

1058
01:11:33,920 --> 01:11:37,400
of the long version of the game,
was to find

1059
01:11:37,720 --> 01:11:40,240
the missing <i>painting</i>.

1060
01:11:41,600 --> 01:11:44,240
- What?
- What missing painting?

1061
01:11:44,560 --> 01:11:47,160
- This painting is a replica.

1062
01:11:47,479 --> 01:11:50,680
The original disappeared
in Naples in 1815.

1063
01:11:51,000 --> 01:11:54,000
Hence the name,
"La Dormeuse de Naples".

1064
01:11:54,320 --> 01:11:57,720
Ingres was traumatized
by its disappearance.

1065
01:11:58,040 --> 01:12:00,040
It became an obsession.

1066
01:12:00,360 --> 01:12:03,000
He was looking for it all his life

1067
01:12:03,320 --> 01:12:07,880
and made replica after replica after replica,
including this one,

1068
01:12:08,200 --> 01:12:10,360
made 30 years later.

1069
01:12:10,680 --> 01:12:13,960
There's a resemblance. Here...

1070
01:12:15,600 --> 01:12:16,800
And here.

1071
01:12:17,120 --> 01:12:19,120
- Yes.
- That's for sure.

1072
01:12:19,439 --> 01:12:24,120
- Remember the phrase
at the start of the game?

1073
01:12:24,439 --> 01:12:28,560
"Discover one of the most beautiful
enigmas of art history."

1074
01:12:28,880 --> 01:12:34,280
- The game was supposed to give the solution?
Yes. To say where the painting was.

1075
01:12:34,600 --> 01:12:38,720
- And Julie Delmas knew where the missing painting was?
- Exactly, and that's why she was killed.

1076
01:12:39,040 --> 01:12:40,920
Because they wanted to stop her from revealing it.

1077
01:12:42,400 --> 01:12:44,360
Yes?
- If Julie Delmas

1078
01:12:44,680 --> 01:12:47,000
knew where the painting was,

1079
01:12:47,320 --> 01:12:49,920
why say it in a game?

1080
01:12:50,240 --> 01:12:53,200
Very good question. Actually,

1081
01:12:53,520 --> 01:12:56,520
Julie didn't really believe she knew.
But the killer does know.

1082
01:12:56,840 --> 01:12:59,720
The person who killed Julie Delmas

1083
01:13:00,040 --> 01:13:03,439
is the one who revealed
where the painting was,

1084
01:13:03,760 --> 01:13:07,360
and realized that Julie
had used it in the game.

1085
01:13:07,680 --> 01:13:10,000
- Investigating a painting that disappeared 200 years ago

1086
01:13:10,320 --> 01:13:12,520
requires a solid knowledge of art history.

1087
01:13:12,840 --> 01:13:15,640
You're on fire, Commander.

1088
01:13:15,960 --> 01:13:20,200
Who was the history advisor
to Julie Delmas?

1089
01:13:24,000 --> 01:13:26,000
A vehicle is approaching.

1090
01:13:33,400 --> 01:13:34,840
- Stay behind.

1091
01:13:38,600 --> 01:13:40,000
Mme. Martin!

1092
01:13:56,600 --> 01:13:58,200
She's not there.

1093
01:14:02,600 --> 01:14:04,400
A car starts.

1094
01:14:08,600 --> 01:14:11,200
Police! No !

1095
01:14:16,479 --> 01:14:18,680
- So?
- All clear.

1096
01:14:19,000 --> 01:14:21,439
- Julie Delmas' hard drive.

1097
01:14:21,760 --> 01:14:25,120
- Good. Analyze it.
We'll take care of her wife.

1098
01:14:25,439 --> 01:14:27,600
We found this hard drive

1099
01:14:27,920 --> 01:14:29,920
at your home.

1100
01:14:30,240 --> 01:14:33,479
It belonged to Julie Delmas.

1101
01:14:33,800 --> 01:14:35,640
What does it contain?

1102
01:14:36,400 --> 01:14:37,800
- I don't know.

1103
01:14:40,760 --> 01:14:42,760
I don't know anything.

1104
01:14:43,080 --> 01:14:46,280
- It's just not possible.
I don't get it.

1105
01:14:48,920 --> 01:14:50,120
What a mess.

1106
01:14:50,439 --> 01:14:52,560
All these subfiles.

1107
01:14:52,880 --> 01:14:53,880
What's behind it?

1108
01:14:54,200 --> 01:14:58,120
- Is there any mention of
"La dormeuse de Naples"?

1109
01:14:58,439 --> 01:15:02,760
- To answer your question, I'll have to
tidy up. It's gonna take a while.

1110
01:15:03,080 --> 01:15:04,479
- Come and see for yourself.

1111
01:15:09,600 --> 01:15:11,200
- What?

1112
01:15:11,520 --> 01:15:14,720
- She hasn't yet
found the painting,

1113
01:15:15,040 --> 01:15:19,439
otherwise she would have announced it
a long time ago.

1114
01:15:19,760 --> 01:15:21,160
- So?

1115
01:15:21,479 --> 01:15:25,439
- And so she wants to find it
before we catch her.

1116
01:15:25,760 --> 01:15:29,640
She was able to kill
she still believes in it.

1117
01:15:29,960 --> 01:15:34,160
- So she'd be wherever she thinks
the painting is located.

1118
01:15:34,479 --> 01:15:35,680
- Exactly.

1119
01:15:41,479 --> 01:15:44,400
Come on, tell me what you found

1120
01:15:44,720 --> 01:15:47,600
on "La Dormeuse de Naples".

1121
01:15:47,920 --> 01:15:50,000
- It's top secret.

1122
01:15:54,600 --> 01:15:56,880
- That's good, because

1123
01:15:57,200 --> 01:15:59,520
I love secrets.

1124
01:15:59,840 --> 01:16:04,040
And I think I have the means
to make you talk.

1125
01:16:05,600 --> 01:16:09,800
- No. Until I find it,
no one will know where it is.

1126
01:16:10,800 --> 01:16:12,320
- Of course.

1127
01:16:20,000 --> 01:16:22,680
I swear I don't know.

1128
01:16:23,000 --> 01:16:27,000
where she went. I don't understand
anything about what you're telling me.

1129
01:16:27,320 --> 01:16:30,479
- "La Dormeuse de Naples",
does it mean anything to you?

1130
01:16:33,600 --> 01:16:36,040
We think Ms. Delmas

1131
01:16:36,360 --> 01:16:40,200
had stolen your wife's
location information

1132
01:16:40,520 --> 01:16:41,800
on this painting.

1133
01:16:43,960 --> 01:16:47,680
Can you confirm that your wife
conducted research

1134
01:16:48,000 --> 01:16:49,400
on "La dormeuse de Naples"?

1135
01:16:52,600 --> 01:16:55,400
Mme. Horovitz, can you confirm this?

1136
01:16:55,720 --> 01:16:57,320
- Yes.

1137
01:16:57,640 --> 01:17:01,240
Yes, she was dedicated
full-time for 15 years.

1138
01:17:01,560 --> 01:17:04,160
I didn't know
that she'd located it.

1139
01:17:04,479 --> 01:17:08,000
- Apparently she told Julie Delmas.

1140
01:17:15,400 --> 01:17:16,400
- OK.

1141
01:17:18,400 --> 01:17:20,400
Swear not to tell.

1142
01:17:20,720 --> 01:17:22,920
- I swear.

1143
01:17:27,600 --> 01:17:32,320
- If you talk, I'll make you
suffer the worst abuses.

1144
01:17:36,600 --> 01:17:38,560
- Don't tempt me.

1145
01:17:38,880 --> 01:18:26,000
...

1146
01:18:27,000 --> 01:18:29,040
- Why are you looking at me like that?

1147
01:18:33,000 --> 01:18:37,360
- I wanted to tell you... you know
that Richter has decided to stop?

1148
01:18:37,680 --> 01:18:40,280
- Well, yes. And so?

1149
01:18:40,600 --> 01:18:42,320
- It's just that...

1150
01:18:47,800 --> 01:18:51,200
I understood why
I love this book so much.

1151
01:18:53,400 --> 01:18:54,600
- All right.

1152
01:18:55,600 --> 01:18:57,640
- I needed it.

1153
01:19:00,000 --> 01:19:04,800
- But... What do you mean by that?
Need a book?

1154
01:19:09,000 --> 01:19:10,800
- I'm having trouble...

1155
01:19:12,200 --> 01:19:13,600
(Damn...)

1156
01:19:13,920 --> 01:19:16,320
It's hard to forget you.

1157
01:19:17,479 --> 01:19:20,680
This book, I think
it helps a little.

1158
01:19:21,680 --> 01:19:23,040
- All right.

1159
01:19:23,360 --> 01:19:27,160
- It's like it's a thing
telling me that...

1160
01:19:27,479 --> 01:19:30,200
... that our history really existed.

1161
01:19:30,520 --> 01:19:34,920
I know, it's the delirious vision
of a mass-market author, but...

1162
01:19:35,240 --> 01:19:38,400
- In fact, it's completely carbureted!

1163
01:19:40,600 --> 01:19:43,000
- But it's still...

1164
01:19:43,320 --> 01:19:47,320
It's a bit of our history.
It looks like it.

1165
01:19:50,400 --> 01:19:54,320
And to know that it's going to be
written in black and white,

1166
01:19:54,640 --> 01:19:58,040
that it will remain something, it just...

1167
01:20:00,400 --> 01:20:03,800
It makes me feel good.
There you go: that makes me feel good.

1168
01:20:04,720 --> 01:20:23,720
...

1169
01:20:24,720 --> 01:20:27,360
Monsieur Verlay!
Yes?

1170
01:20:27,680 --> 01:20:29,479
- We found it.
- Really?

1171
01:20:29,800 --> 01:20:32,280
- We have a part
of the long version,

1172
01:20:32,600 --> 01:20:35,760
it's about the painting "La dormeuse de Naples".
Very good.

1173
01:20:42,200 --> 01:20:43,600
Where are we now?

1174
01:20:46,320 --> 01:20:49,720
Given your outfit,
we're in the 19th century, in France.

1175
01:20:50,040 --> 01:20:51,479
It makes sense:

1176
01:20:51,800 --> 01:20:55,800
Ingres arrived in Paris in 1824,
where he finally found success.

1177
01:20:59,000 --> 01:21:00,400
Go ahead, open it.

1178
01:21:15,479 --> 01:21:19,080
We're at Bertin's,
in his château at Bièvres.

1179
01:21:23,000 --> 01:21:24,200
- Welcome.

1180
01:21:26,000 --> 01:21:30,520
I'm having supper.
I hope you don't mind.

1181
01:21:30,840 --> 01:21:32,439
In 1832,

1182
01:21:32,760 --> 01:21:37,360
my old friend Ingres
wrote to Madame Murat.

1183
01:21:37,680 --> 01:21:39,680
Do you know why?

1184
01:21:45,160 --> 01:21:48,600
- Getting the loan
of "La Dormeuse de Naples" for

1185
01:21:48,920 --> 01:21:50,960
the Salon de 33.

1186
01:21:54,600 --> 01:21:55,880
Bravo.

1187
01:21:56,200 --> 01:22:01,120
That's how I was able to fulfill
my friend's dearest wish:

1188
01:22:01,439 --> 01:22:05,439
to see, at last,
these two paintings reunited.

1189
01:22:11,000 --> 01:22:13,600
If you'd like to follow me.

1190
01:22:25,400 --> 01:22:29,400
I returned "La Grande Odalisque".
to its owner,

1191
01:22:29,720 --> 01:22:34,320
but I didn't return
"La dormeuse de Naples"...

1192
01:22:35,520 --> 01:22:38,720
- How are you?
To this Madame Murat,

1193
01:22:39,040 --> 01:22:42,240
the sister of Napoleon the usurper!

1194
01:22:42,560 --> 01:22:46,479
He says he kept
"La Dormeuse de Naples" at home?

1195
01:22:46,800 --> 01:22:48,439
- It's just not possible.

1196
01:22:48,760 --> 01:22:54,040
The painting was lost in Italy.
It can't be at Bertin's.

1197
01:22:54,360 --> 01:22:56,240
But that means

1198
01:22:56,560 --> 01:22:58,560
that Sarah Martin believes it's there!

1199
01:22:58,880 --> 01:23:01,439
- That the painting is in the old man's house?

1200
01:23:01,760 --> 01:23:05,120
Does this castle still exist?
Yes, it's a museum.

1201
01:23:05,439 --> 01:23:08,160
Sarah Martin is definitely there!

1202
01:23:09,400 --> 01:23:12,200
Is this Château des Roches?

1203
01:23:12,520 --> 01:23:15,920
Hello, I am Florence Chassagne,
from the Louvre.

1204
01:23:16,240 --> 01:23:19,840
Thanks a lot. Thanks.
Could I speak to your manager, please?

1205
01:23:20,840 --> 01:23:25,040
Yes, good afternoon, sir.
Is a Sarah Martin there at the moment?

1206
01:23:25,360 --> 01:23:28,960
Yes, exactly. She has a research program.

1207
01:23:30,200 --> 01:23:34,520
Yes? No, don't put her on!
I'll put you through to someone else.

1208
01:23:35,600 --> 01:23:36,800
Phone vibrates.

1209
01:23:37,120 --> 01:23:38,320
- Excuse me.

1210
01:23:40,000 --> 01:23:41,400
Yes, Antoine?

1211
01:23:42,400 --> 01:23:43,600
Please.

1212
01:23:43,920 --> 01:23:44,920
What?

1213
01:23:45,240 --> 01:23:47,600
*-Sarah Martin is in Bièvres.

1214
01:23:47,920 --> 01:23:51,120
Send the police fast!
We'll join you!

1215
01:23:51,439 --> 01:23:54,400
*-Quickly.
OK, that works.

1216
01:23:54,720 --> 01:23:58,320
Siren.

1217
01:24:12,200 --> 01:24:16,200
You were with Julie Delmas
on the night of her murder?

1218
01:24:22,760 --> 01:24:24,360
Madame Martin?

1219
01:24:26,400 --> 01:24:27,400
- Yeah.

1220
01:24:29,040 --> 01:24:31,360
Beeps.

1221
01:24:33,560 --> 01:24:34,760
- I'm on my way.

1222
01:24:38,200 --> 01:24:40,720
I've got to get to the office,

1223
01:24:41,040 --> 01:24:44,080
I'll explain.
- Aren't you going to kiss me?

1224
01:24:50,840 --> 01:24:52,040
Julie!

1225
01:24:53,800 --> 01:24:55,200
The door slams shut.

1226
01:24:57,600 --> 01:25:16,040
...

1227
01:25:18,400 --> 01:25:20,360
What did she think?

1228
01:25:22,880 --> 01:25:26,240
That she could manipulate me
and ruin my career?

1229
01:25:26,560 --> 01:25:29,280
I'll find the painting.

1230
01:25:30,600 --> 01:25:34,400
- Mme. Martin, specialists say
that it cannot be hidden

1231
01:25:34,720 --> 01:25:37,080
in the Château des Roches.
It's impossible.

1232
01:25:37,400 --> 01:25:42,400
- Oh yeah? And what do they know?
Did they search everywhere?

1233
01:25:42,720 --> 01:25:45,200
Did they probe the walls?

1234
01:25:45,520 --> 01:25:46,920
It's there.

1235
01:25:47,240 --> 01:25:49,640
It's there, I know it.

1236
01:25:50,640 --> 01:26:21,640
...

1237
01:26:22,640 --> 01:26:26,640
- I didn't think this painting
could drive one so mad.

1238
01:26:26,960 --> 01:26:29,960
- You've been looking for it
all your life too.

1239
01:26:30,280 --> 01:26:31,720
- My wife posed for that painting

1240
01:26:32,040 --> 01:26:34,760
and it was the most beautiful
of my nudes.

1241
01:26:35,080 --> 01:26:38,280
It reminded me of her.

1242
01:26:39,280 --> 01:26:42,760
I regretted having done
so few portraits of her.

1243
01:26:43,080 --> 01:26:46,800
- That's true. You only painted
one picture of her.

1244
01:26:47,120 --> 01:26:48,520
Excuse me.

1245
01:26:51,680 --> 01:26:53,080
It is...

1246
01:26:54,560 --> 01:26:57,960
Here it is.
I like it very much.

1247
01:26:58,280 --> 01:27:00,240
When she died, I was left with

1248
01:27:00,560 --> 01:27:02,760
almost nothing from my wife.

1249
01:27:03,080 --> 01:27:05,280
There are a few drawings.

1250
01:27:05,600 --> 01:27:08,479
In addition to that painting,
there's this one.

1251
01:27:08,800 --> 01:27:13,080
And there's another one I find
really tricky right now,

1252
01:27:13,400 --> 01:27:17,960
where she's pregnant, based on
the roundness of her belly.

1253
01:27:20,400 --> 01:27:22,960
- Even our child is dead.

1254
01:27:23,280 --> 01:27:25,840
In the end, paintings,

1255
01:27:26,160 --> 01:27:28,960
photographs, and books, are

1256
01:27:29,280 --> 01:27:32,880
all that's left when people are gone.

1257
01:27:39,000 --> 01:27:40,320
- Books?

1258
01:27:40,640 --> 01:27:42,920
- And you.
You're not dead.

1259
01:27:45,200 --> 01:27:46,280
- No.

1260
01:27:46,600 --> 01:27:49,760
But he still lost you.

1261
01:27:50,080 --> 01:27:52,680
So a painting, a book,

1262
01:27:53,000 --> 01:27:56,000
he needs it. It's human.

1263
01:28:08,200 --> 01:28:09,800
Doorbell.

1264
01:28:21,200 --> 01:28:22,600
- Open the door.

1265
01:28:30,680 --> 01:28:34,160
- Er... Do you want to...
- I agree.

1266
01:28:35,600 --> 01:28:37,479
- Agree to what?

1267
01:28:37,800 --> 01:28:40,479
- Richter can write her book

1268
01:28:40,800 --> 01:28:44,640
and continue
to use our characters.

1269
01:28:47,400 --> 01:28:50,000
She can say whatever she wants.

1270
01:28:52,800 --> 01:28:54,400
- What does she want?

1271
01:28:58,600 --> 01:29:00,200
- What she wants.

1272
01:29:01,840 --> 01:29:06,040
- What made you change your mind?

1273
01:29:07,200 --> 01:29:08,400
- You.

1274
01:29:20,800 --> 01:29:22,720
I owe you that much.

1275
01:29:23,040 --> 01:29:24,240
I believe I do.

1276
01:30:22,000 --> 01:30:27,000
Six months later...

1277
01:30:28,680 --> 01:30:33,720
Indeed, we must wonder

1278
01:30:34,040 --> 01:30:37,600
if there isn't an element of reality...

1279
01:30:37,920 --> 01:30:41,520
- That's me in the photo:
we work together.

1280
01:30:41,840 --> 01:30:44,560
Have you seen me on TV?

1281
01:30:44,880 --> 01:30:45,880
- No, never.

1282
01:30:46,200 --> 01:30:50,640
- Yet he's the most prominent
art historian!

1283
01:30:50,960 --> 01:30:55,320
- At least <i>I</i> appear under
my <i>real</i> name, not "Flossagne".

1284
01:30:55,640 --> 01:30:57,520
- (Stop!)

1285
01:30:57,840 --> 01:30:59,840
- Yes, sir?

1286
01:31:00,160 --> 01:31:05,640
- Mme. Richter, Commander,
what do you take away from this experience?

1287
01:31:05,960 --> 01:31:10,960
- I would say that Mme. Richter
would make a formidable investigator.

1288
01:31:12,520 --> 01:31:13,479
Really.

1289
01:31:13,800 --> 01:31:16,040
When we form our hypotheses,

1290
01:31:16,360 --> 01:31:21,240
we start from the facts, but we
also need a good dose of intuition

1291
01:31:21,560 --> 01:31:23,040
and imagination.

1292
01:31:23,360 --> 01:31:28,240
And for that, Patricia,
that is, Mme. Richter, is really

1293
01:31:28,560 --> 01:31:29,840
unbeatable.

1294
01:31:30,160 --> 01:31:31,920
- That's what he says.

1295
01:31:33,400 --> 01:31:35,760
- Any last questions?

1296
01:31:36,080 --> 01:31:38,120
Yes?
- Mme. Richter,

1297
01:31:38,439 --> 01:31:42,479
Anthony Bellone forms a relationship
with Chantal Flossagne.

1298
01:31:42,800 --> 01:31:44,760
You wrote a

1299
01:31:45,080 --> 01:31:47,479
beautiful love story there.

1300
01:31:48,640 --> 01:31:50,080
- Thank you very much.

1301
01:31:50,400 --> 01:31:53,200
- How did you manage to make it

1302
01:31:53,520 --> 01:31:54,640
so true to life?

1303
01:31:54,960 --> 01:31:57,920
- I'm not revealing my writing secrets.

1304
01:31:58,240 --> 01:32:01,680
Let's just say that sometimes, you just have to

1305
01:32:02,000 --> 01:32:05,200
be attentive to what's in front of us.

1306
01:32:05,520 --> 01:32:09,640
And then I had the opportunity
to have a handsome captain

1307
01:32:09,960 --> 01:32:13,680
and an inspiring art historian.

1308
01:32:14,000 --> 01:32:16,680
All I had to do was watch them.

1309
01:32:17,000 --> 01:32:19,479
In fact, they're right here with us.

1310
01:32:19,800 --> 01:32:20,560
Right there!

1311
01:32:20,880 --> 01:32:24,880
- Are you Chantal and Anthony?
- One picture please!

1312
01:32:25,200 --> 01:32:28,200
You are wonderful, bravo!

1313
01:32:28,520 --> 01:32:32,760
Turn around, so we can take
a nice picture!

1314
01:32:33,080 --> 01:32:35,120
You guys are so cute!

1315
01:32:35,439 --> 01:32:38,880
Are you in love in real life?
A photo!

1316
01:32:39,200 --> 01:32:41,240
You're wonderful! Bravo!

1317
01:32:41,560 --> 01:32:44,360
Anthony! Chantal! Smile!

1318
01:32:46,000 --> 01:34:50,960
"FLORENCE and ANTOINE"
"THE INVESTIGATIVE DUO WHO INSPIRED PATRICIA RICHTER"

1319
01:34:51,010 --> 01:34:55,560
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